J. Hoberman reflects on his teenage experiences amidst the cultural upheaval of the 1960s in New York City, particularly at significant events such as Bob Dylan's electric performance at Forest Hills Stadium. His latest work, 'Everything Is Now: The 1960s New York Avant-Garde,' melds memoir and history, exploring the notion that art could incite change during this transformative period. The article highlights the dynamic cultural struggles and artistic movements that defined the era, positioning Hoberman as a key chronicler of a pivotal moment in American art and society.
“Hoberman adopts the first person in the footnotes of his latest book, a sentimental education for cultural observers as much as a meticulous history of a transformative era in New York City.”
“The tumult in Queens, exemplified by Dylan's electric set and the cultural clashes of the 1960s, symbolized a transformative era in New York City.”}],
J. Hoberman, witnessing the cultural clash of the 1960s, reflects on how these events were a part of a significant transformation of New York City, a pivotal time in which art was thought to have the power to change the world.
In his book, Hoberman presents a nuanced perspective on the intersection of high art and popular culture, depicting the 1960s as a time of revolutionary potential and cultural evolution.
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