The Super Bowl Halftime Show is absolutely terrible, one of the worst, EVER! It makes no sense, is an affront to the Greatness of America, and doesn't represent our standards of Success, Creativity, or Excellence,
Free YouTube Music accounts are now seeing their access to lyrics limited, according to multiple reports. Google started testing lyrics as an exclusive feature for Premium users in September, but it appears that it's now receiving a wider rollout. It seems that free users will be limited to viewing lyrics for five songs per month, though we've reached out to Google for confirmation.
Even if you're just a casual jazz fan, you probably recognize "Take the A Train," Duke Ellington's swinging theme song. Or you've heard the melancholy ballad "Lush Life" sung by Nat King Cole, by Linda Ronstadt during her Great American Songbook era, or by Lady Gaga on the album she recorded with Tony Bennett. Both of those - and many other tunes - were written by a gay man, musician, composer, and arranger Billy Strayhorn.
I am extremely heartbroken for the tragic loss of our son, Nathan Smith. His mother [Nicole Smith] and I are devastated, the statement said. Lil Jon described his son as an amazingly talented young man who was a music producer, artist, engineer and New York University graduate. Thank you for all of the prayers and support in trying to locate him over the last several days. Thank you to the entire Milton police department involved, the Snap Yo Fingers rapper added.
What does Comic Sans sound like? What does it feel like? And is it actually kinda good? These were the questions ever-present in the minds of early PC Music acts like Kero Kero Bonito's Gus Bonito, who, to this day, performs DJ sets in front of a strobing projection of his moniker Kane West in the notorious font.
He sings the names of the dead haltingly, as though he is reading them off a screen-which, judging from the recording-studio footage in the song's lyric video, he probably is. The song is about the news, but it is also, perhaps unintentionally, about the moment of lag when we absorb the names and images, when we try to assimilate atrocity into narrative.
What if Portishead's Dummy, Radiohead's Kid A, and Bjork's Homogenic were made today by one band on one record? It might sound something like this. London art-psych band Ulrika Spacek have always had a collage-like approach to their music, taking ideas from jam sessions and using them as raw materials for fully formed songs.