The album that emerged is a series of vignettes about the men in Breedlove's life, living and dead, beloved and infuriating. It spans the AIDS crisis, chosen family, knife collections, and a complicated inheritance of grief that Breedlove transforms, as he always has, into something that makes people laugh and cry at the same time.
Dylan describes his first encounter with Johnson's music, stating, "From the first note the vibrations from the loudspeaker made my hair stand up. The stabbing sounds from the guitar could almost break a window. When Johnson started singing, he seemed like a guy who could have sprung from the head of Zeus in full armor."
Draiman expressed his feelings on a podcast, stating, 'I grew up on Pink Floyd. I loved Pink Floyd. It was such a massive betrayal, not just to me, but Jews everywhere when he went in the direction that he did.'
St Patrick's Church, Meenaweal, Crolly, a small green tin church, was filled with mourners with standing room only as many others huddled underneath marquees outside the church.
The beating heart of Sugar was always the sound of Bob Mould's guitar: a colossal, metallic, thunderous thing, like a sonic boom you could whistle. It was incredible, being engulfed by that wall of sound.
Fucking Neil Young is angrier than ever - jeez, Louise. But, yeah, of course, it's hard not to feel political living in America, where we're deeply divided. And there's injustice, and there's so much hate and fear, and it's such a drag.
A drummer's playing is based on feel. That's all drumming is: feel. It's hard to define when you're playing with someone and it feels 'right,' or when you're playing with someone who feels 'really good,' and then you're playing with someone and it feels 'fucking amazing.'
Tokischa's long-awaited debut, AMOR & DROGA, reflects a shift in her artistry, blending mess with melancholy, and showcasing her growth as an artist. The pounding dembow riddims boldly crash into electro pop, rock, and trap, interspersed with gentle waves crashing and lyrics about lovers who never pulled up.
"You don't have to be dreadlocked to be Rasta. We live in Rasta Cruz and my other world is stewarding ganja. Ganja is how I've supported myself. I'm a friend of cannabis personally and as a band."