#serpentine-pavilion

#serpentine-pavilion

Luxart is a site-specific Luminarium created by Alan Parkinson for Battersea Power Station, composed of softly glowing chambers you can explore.

Jupiter Artland offers a rolling programme of temporary exhibitions as well as 150 acres of Scottish countryside populated by specially commissioned permanent works by over 40 major artists.

The Queen Elizabeth II Garden will officially open to the public on Monday April 27, commemorating the late monarch's 100th birthday with a beautiful landscape filled with climate-resilient plants and wildlife habitats.

The spa melds seamlessly with the caramel colours. Some serious brainpower went into its creation, having been developed in collaboration with Stockholm-based Raison d'Etre - aka the experts behind nine global spa brands, from Aman and Six Senses to Borgo Egnazia in Puglia and The Datai in Langkawi.

In a world where ideas can be generated with a click, homogeneity is prevalent. The Everyday Edition seeks to uncover fresh sources of inspiration in overlooked places.

Police are assessing a number of discarded items in London's Kensington Gardens after a video was shared online in which a group claimed to have targeted the nearby Embassy of Israel with drones carrying dangerous substances.

Sabahs are made entirely by hand from 100% leather in either Texas or Turkey—two regions with distinct yet deeply rooted relationships to the material. The result is a shoe that varies subtly from pair to pair, even within the same size.

The plans call for beams of light right up into the night sky, which means they're directly affecting the night sky and, by design, the skyline view for anyone looking in that direction.

"In Minor Keys focuses on marginal or overlooked voices. Kouoh defined a restorative form of resistance, which calls for attentive listening amid the present chaos."

The architectural approach emphasizes simplicity, durability, and contextual integration, with brick as the primary material for its structural capacity and long-term performance.

The building, with its discreet facade and lack of expressive gestures, explicitly conveys the intention of creating an austere, silent, contemplative space; with the minimum necessary elements.

Hackney Art Week will take place from June 4 to 14, featuring 60 artists and creatives across 50 venues in the borough, including Dalston and Clapton.

Fleeting Opulence transforms the Winter Garden and surrounding spaces into an immersive celebration of the natural world, featuring larger-than-life flowers and cherry blossoms.

'At the Piccolo Teatro Studio Melato, we have envisioned a series of spaces that express the restorative power of water, creating exquisite moments of transcendence,' explains Flowers.

The project reconsiders the building as a layered architectural structure shaped by successive transformations, reorganizing these historical strata through a spatial strategy that prioritizes clarity, continuity, and flexibility.

A slender white form hovers above the fields on minimal supports, as if a thin wing had just been lifted by the wind. "Floating" describes both a structural condition - a thin roof suspended above the ground - and a quality of time in this place, where mist drifts, light shifts, and one pauses briefly on the mountain, as in a fleeting moment of respite.

Mumbai is a city of simultaneities. Its urban fabric is dense and restless a patchwork continually fractured by moments of porosity. Narrow alleys suddenly unfold into courtyards, and fleeting intimacies emerge between strangers in crowded trains. Rhythms of chaos and solitude overlap seamlessly to create an everyday theatre of resilience.

The 10ft sculpture depicts a confident woman of colour striding in a blue dress and heels and is meant to represent a contemporary everywoman that 'many can relate to'. She is not an idol to venerate or a historic figurehead to commemorate. She is a woman striding forward into our collective future with ambition and purpose. She is a Londoner who represents the city's spirit.

Fiona Twycross, the heritage minister, is to be congratulated for finally giving London's Southbank Centre Grade II listing (Campaigners welcome long overdue' listing of brutalist Southbank Centre, 10 February). I remember being shocked when I first saw it in the 1960s, but it has become a remarkable symbol of the zeitgeist. Its grey concrete and its childlike composition together express the fatalism and despair of a nation in economic and political decline.