The new Spanish language series Dear Killer Nannies manages to find a new and unexpected way into the life of an archetypal villain, focusing very little on the bloodshed that has made his life so ripe for movies and television.
This season on 'Deli Boys,' the Dars are drowning in dirty cash and Philly's sketchiest crooks are circling. Enter Max Sugar: casino king, money launderer, and Lucky's new crush who turns laundering into a chaotic situationship.
From the minute she enters the world, she has a mother who hates her and strangers trying to kill her. I'm actually still trying to make sense of the episode's prologue: Set in 1997, a random Circuit City employee gets a cryptic message on his Windows 95 PC ordering him to kill Jane, who is less than a day old, before she grows up into a major threat.
In the fourth season of Industry, everyone has a story to sell: a neutered fund or loveless marriage, shamed husbands, a life aimless after retirement, a payment-processing firm hampered by its ties to porn and sex work. These labels seem to indicate mistaken priorities or misplaced trust. But they are just narratives to be refined or redefined. Everything is up for grabs if you tell the right story.
The teaser trailers reveal a young couple, played by Charles Melton and Cailee Spaeny, who both work at a country club. The two accidentally witness a physical fight between their boss and his wife (Oscar Isaac and Carrie Mulligan). Mulligan throws and breaks something fragile, and Isaac yells "Stop! Stop it!" while brandishing a golf club at her.
Whereas other characters are cold and sharklike, Yas feels her way through the world-and uses her vulnerability to manipulate others. Being born into wealth taught her that none of us is in command of our fate, so we had better cheat for whatever control we can. She's the statuesque girlboss for the new gilded age.
For seven effortlessly bingeable hours supposedly showing the adventure in real time, our man on the pressurised inside deduced complex situations from misplaced washbags, sent coded messages via fruit cartons and dying men's phones, saved lives, averted disasters, and got Kingdom Flight 29 landed safely by Holly Aird so that he could return to his family, even though viewers agreed the scenes with them in between the plane bits were very boring indeed.
Ashes to ashes, dust to dust, pickup order to lack of renewal. Here we bid farewell to the canceled shows of 2026. Less than a month into the year (and last lunar year not even over) and shows are already starting to drop. This post will serve as living tribute to the TV we're going to miss in 2027. Don't cry because they're over, smile because hopefully there are some sort of residuals in place for the workers.
In many serialized dramas, the climax of a given season lands in the penultimate episode; think of the dramatic battles and major character deaths of Game of Thrones or, further back, The Sopranos and The Wire. But Landman isn't like most dramas. Tonight's penultimate episode of season two feels like an anti-climax - not just a letdown generally, but the diametric opposite of a climax.
The Duchess of Sussex's latest Netflix lifestyle show failed to crack the top 1,000 most watched programmes on the platform, figures suggest, amid reports that it will not return for a third series. The second series of With Love, Meghan ranked 1,124th most watched shows between July and December 2025, with 2 views, according to data, coming below the second season of Miraculous: Tales Of Ladybug & Cat Noir, as well as programmes several years older including Downton Abbey.
There are few shows that leave me hungry - no, starving - for more like Pluribus did. The hit Vince Gilligan Apple TV show, starring Rhea Seehorn as one of the few survivors of a virus that turns the entire world into happy, one-minded, sentient beings, is so damn smart and funny and bold. Seehorn, already winning awards for her role as writer Carol Sturka, is a vulnerable, generous actor who never seems to hold back - and I think we're all desperate for more.