A loose follow-up to the U.S. version of The Office, The Paper tracks a new industry full of frustrations and petty grievances: journalism. Domhnall Gleeson plays Ned, the brand-new editor-in-chief of the Toledo Truth-Teller, a once-great newspaper that has withered in a changing media environment. Other than Oscar Nunez, who returns as accountant Oscar Martinez, this is a whole new cast, although the shooting style and the mood will remind you very much of the happenings at Dunder Mifflin.
Prime Video; available now Waleed Zuaiter, Robin Wright and Laurie Davidson in The Girlfriend. Photograph: Christopher Raphael/Courtesy of Prime Summed up in a sentence A steamy, incestuous adaptation of an excellent novel that pits an adult son's new girlfriend against his mother in an ever-more extreme contest. It has lost little of the book's psychological acuity and retained all of the suspense. Not one to watch with your sons, perhaps, but otherwise enjoy.
What makes a thriller thrill is pacing. The speed at which information emerges dictates the rhythm of our engagement; it's what keeps us coming back week after week. Most good thrillers escalate gradually, with each twist surpassing the last. The Girlfriend,a new Amazon Prime series based on Michelle Frances's book of the same name, directed by and starring Robin Wright,
Welcome, friends, to The Girlfriend, an adaptation of the excellent psychological thriller by Michelle Frances, and an answer to the question many of us have surely pondered just how much of an incest vibe can one get away with instilling in a shiny prestige miniseries, and can anyone get Robin Wright to star and make the whole thing disturbingly credible?
"The complexity of Alma as a character is pure Guadagnino, a natural fit into a cinematic body of work defined by the prospect of voracious hunger, and offers Roberts her best role since 2004's Closer." The film contains a "smart, keenly observed and undoubtedly thorny power play" in what is "an arresting psychodrama", Strong added.
If Tom Ripley lived in LA in 2018 and was really into lo-fi bedroom pop, he might look something like the main character of Lurker. The debut feature from Alex Russell, The Bear and Beef writer-producer, is an elegantly creepy thriller about one super-fan's scheme to become close to his musical idol, transposing Patricia Highsmith's two-man theme into a murkier grey territory, with parasitic attachment giving way to co-dependence that blooms into something that looks like a twisted kind of love.
This ineffably creepy, often unbearably tense and disquieting film has a little of early Christopher Nolan (the Nolan of Following and Memento), with hints of Lynch and Cronenberg in its hallucinatory episodes.