#claudio-tripodi

#claudio-tripodi

"In Minor Keys focuses on marginal or overlooked voices. Kouoh defined a restorative form of resistance, which calls for attentive listening amid the present chaos."

Throughout its history, Spain has been shaped by a wide range of cultures and civilizations, including Muslim, Phoenician, Roman, Greek, Carthaginian, and Visigothic influences, which are reflected in its architecture and design.

The Olympus Perspective Playground operates as a fully built system, where walls, lighting rigs, circulation paths, and signage are developed together with each installation, creating a continuous spatial script.

The exhibition presents approximately 30 works by Alighiero Boetti, beginning with a core group from the museum's permanent collection, including early works from the 1960s.

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

The project reconsiders the building as a layered architectural structure shaped by successive transformations, reorganizing these historical strata through a spatial strategy that prioritizes clarity, continuity, and flexibility.

The project examines the integration of digital fabrication processes into reinforced concrete construction, highlighting that while materials such as steel and timber have undergone significant transformation through digital production methods, reinforced concrete has largely retained conventional casting techniques. The proposal aims to address this condition by incorporating digitally fabricated components into the construction system.

The collection comprises , , and sculptural elements developed through repetition, modularity, and consistency. By working with standardized components, the project examines how structural logic can inform form, allowing typically concealed systems to become spatial and perceptible. Designed by Claudio Larcher and Sofia D'Andrea, the collection is based on metal drywall guides, technical profiles usually embedded within partition walls and left unseen. These industrial elements are extracted from their conventional context and reconfigured into objects with a linear and uniform architectural language.

"Piano piano" is an old Italian saying that sounds nonsensical, but is actually full of wisdom, especially if you, like me, are finding yourself wishing away these frigid winter days and hoping spring and summer gets here fast. These days, I've found myself rushing from one thing to the next, frustrated at the smallest things, from post office lines to just missing my train. And I'm ready to make a change.

There's this push and pull between feeling unease and discomfort, the nature of the spaces, and why they feel uncomfortable. But there is also tenderness and warmth, people adapting to these spaces and finding ways to make them comfortable.

Studio Rossettini revitalizes House LB into a contemporary single-family residence with playful spaces that puts functionality and quality of life at its center. The from the early 1960s in Padua, reimagines the existing structure through its renovation, freeing up the perimeter walls and creating a fluid sequence of spaces that flow between the kitchen, dining room, and living room, with furnishings integrated into architectural niches.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.

Tara Donovan presents Stratagems at the Institute of Contemporary Art San Francisco (ICA SF), at the Transamerica Pyramid Center, installing a group of vertically oriented sculptures made entirely from thousands of recycled CDs. On view until July 31st, 2026, the exhibition is installed within the transparent Annex space. Stratagems enters into a deliberate exchange with the Transamerica Pyramid itself. The sculptures echo the skyscraper's verticality and reflective skin, while their recycled material introduces a counterpoint to the monumentality of the building.

This year's theme, 'New Directions,' ties the fair to the legacy of John Coltrane and Miles Davis, treating jazz as a working method rather than a metaphor. It's a balance of structure and freedom, shaped by listening to galleries, to collectors, and to the wider moment we're living through. The move to the South Wing at Allianz MiCo reinforces this approach with a more compact, layered layout that sparks encounters across works, media, and generations,

One of the aspects that most fascinated me was realizing how nature already provides ready and extremely evocative forms. A branch, a trunk, or a tangle of shrubs can spontaneously suggest figures, presences, animals, or movements.