#chamber-music

#chamber-music

From 7:30pm to 9pm, the trio will transform the cavernous nave of the world's largest Gothic cathedral into a temple of nostalgia, filled with the melodies of Joe Hisaishi, Satoshi Takebe and Yuji Nomi. Expect the goosebump-inducing themes from films like Spirited Away , My Neighbor Totoro , Princess Mononoke , Howl's Moving Castle and more, played with the kind of reverence (and drama) the setting practically demands.

In a world that almost exclusively worships solo artists, it seems strange and almost anachronistic to see six musicians arrive together to give an interview. But Black Country, New Road aren't known for going with the flow. Formed in Cambridge, they have established themselves as one of the most magnetic and unclassifiable British bands of their generation. Their approach combines experimental rock with the sensibility of a chamber sextet, shot through with echoes of spectral folk and a lyrical ambition that has become their trademark.

Hearing J.S. Bach's Brandenburg Concertos live and Caroline Shaw's Bach-influenced piece was a rare treat, enhanced by Shunske Sato's dynamic conducting.

Nina Bernat has transformed the perception of the double bass in classical music, showcasing her talent across various performances and compositions on prestigious platforms.

Coleman's composition was inspired by the building-sized sculpture, Austin, created by the painter Ellsworth Kelly, with vibrant stained glass evocating a spiritual atmosphere.

Duo Calisto delivered a poignant program featuring songs by women, non-binary, and LGBTQ+ composers, captivating a full house with themes of love and loss.