"What we wanted to do was to make this about people. When I came into my role, it was exactly at the time that the pandemic began. We built a team, an idea, and a vision through remote work."
The church was originally built as a Chapel of Ease for older residents to attend rather than walking to neighbouring Westborough. It later became its own parish church and its tower, dating from the 14th century, is estimated to have first moved in the late 19th century or early 20th century.
The financial accounts kept by the fabrique for Girona Cathedral provide exceptionally detailed records, allowing historians to calculate the total number of workers and the average employed per year.
The Catholic Church of Saint Mary at 440 Grand St. on the Lower East Side was built in 1833 with a Romanesque Revival facade designed by prolific architect Patrick Charles Keeley in 1864. Keeley, the church's architect, designed nearly 600 churches during his career, but this would mark the first of his works to be landmarked in New York City.
The Grade II listed building is on Historic England's Heritage at Risk Register and is currently recorded as being in poor condition. The national Marine Society and Sea Cadets (MSSC), which held the lease, has confirmed that it can no longer meet the building's repair obligations and will surrender the lease so that restoration can be carried out by new occupants.
If you're an art deco architecture geek, you'll no doubt know all about Ibex House. The shimmering pale office building, which you'll find on the east side of the Minories in the City, is renowned for its long streamline moderne curves and mesmerising black-framed windows. The vast H-shaped structure is Grade II-listed and one of London's most remarkable surviving art deco buildings.
The hotel is located on the historic Queenhithe Dock on the Thames, a natural inlet where Alfred the Great arrived in 886 to rebuild the city after it was abandoned by the Romans. Queen Matilda was granted the dues from the dock in the early 12th century, hence the name Queenhithe. Nowadays, the Westin London City is a perfect spot for visiting theatres and museums it has a spectacular view over Shakespeare's Globe and Tate Modern, which are just across the river.
Whitehall's Banqueting House, one of the few survivors of the vast Palace of Whitehall, is due to reopen this summer, but is having a few preview days before fully reopening. Inside the highlight is the painted ceiling by Sir Peter Paul Rubens, commissioned by King Charles I and installed in 1636. That painted ceiling would also have been one of the last things the King saw when he was led out onto the scaffolding to be executed.
The most arresting is a dramatic circular void carved into the ceiling, a spatial echo of St Paul's dome, translated from the sacred to the everyday. Below it, a monolithic espresso counter holds the room together, its weight and material language borrowed from Tate Modern's industrial character and the infrastructural logic of the riverbanks themselves.
For most of its life, the alley's main feature was the church of St Martin Orgar, possibly named after Ordgarus, a Dane who donated the church to the canons of St Paul's. Sadly, most of the church was destroyed during the Great Fire of London. The badly damaged remains were restored and used by French Protestants right up to 1820.
The alley likely came into existence when the first Leadenhall Market, as a market for herbs, opened, with a long passage leading from the market to Gracechurch Street. The alley used to be longer and straighter, but the eastern half was cut off when a building was constructed on the site. That building was demolished in 2000, and archaeologists researched it for Roman remains in 2002.