#songwriting

#songwriting

Paul Simon's "The Afterlife" presents an amusing vision of heaven, likening it to waiting in line at the DMV and suggests pickup lines fail even past life.

Matt Berninger praised Taylor Swift as one of the best lyricists of her generation, highlighting how her songs create a deep connection with listeners.

Amy Allen, the first woman to win the Grammy for Songwriter of the Year, emphasizes the rarity of hits and contrasts writing for others with personal releases.

Amunaso reflects on her recording process, emphasising the importance of creating a space to fully embrace the emotions stirred by her music. "I love to record vocals at home. It's where I can take my time and truly connect with what I'm feeling," she explains.

"A breakup or an abandonment of any kind means your life no longer has anything to do with theirs. Their successes don't mean you're losing, and their failures don't mean you're winning."

Springsteen's latest release, "Blind Spot," is the first song from the previously shelved "Streets of Philadelphia Sessions," showcasing his unique musical experimentation.

Campbell reflects on how a simple four-track recording at home – created just for fun – laid the foundation for 'Refugee.' The music flowed naturally from his love for Albert King's guitar sound.