"Unlike most entries in the genre, it is genuinely vulnerable, heartbreaking, and often very funny. Its primary focus is, of course, his expansive music career, which began in 1968, when he joined the Commodores as a singer and a saxophonist, lending his writing, vocal, and onstage performance talents to danceable hits like "Brick House" and ballads such as "Easy Like Sunday Morning.""
"After leaving the group, in 1982, Richie released his début, self-titled solo album, which kicked off a run of chart-topping success throughout the eighties. He is, above all else, one of my favorite architects of the love song, and, in the book, he writes frankly about the relationships that inspired them-including those that ended painfully. Richie, now seventy-six, seems to have made peace with his failures; he's not afraid to assess them, and to allow a reader to be witness to those assessments."
Lionel Richie began his music career in 1968 with the Commodores as a singer and saxophonist, contributing to hits like "Brick House" and "Easy Like Sunday Morning." He launched a successful solo career in 1982 with a self-titled debut that led to eighties chart dominance. Richie is renowned for crafting love songs and writes candidly about relationships, including painful endings. He now appears reconciled with past failures, assessing them with honesty while maintaining tenderness toward his younger self. Touring with Tina Turner and mentorship from Marvin Gaye informed his artistry, and he emphasizes hitting the "most important note" in music and life.
Read at The New Yorker
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