#capitalism

#capitalism

This week's adventure tackles ideas of racism, genocide, terrorism, and resistance, but its big moments feel more like gentle massages, lacking impactful pressure.

Poilievre describes Friedman’s work as a transformative resource on the free market, profoundly shaping his political views and guiding his future ambitions.

David Dimbleby's podcast series vividly narrates the evolution of capitalism, framed through personal stories, such as Anthony Fisher's wrenching WWII experience leading to economic advocacy.

The biggest problem we have in our culture is this perception that when you pursue your own self-interest, you are somehow a villain . . . it's why socialism is still viewed as morally noble, capitalism as evil and bad.

But here's where the irony hits me: The people dancing on Thompson's grave are vilifying someone for doing the very job our system incentivized him to do.

James Harr's announcement of a satirical deck of "Most Wanted CEO" playing cards sparked controversy, leading to swift backlash from social media platforms and law enforcement.

Corbet’s appeal was particularly striking, implying that the power dynamics between filmmakers and studios often stifle authentic creativity, a sentiment echoed by challenges faced in The Brutalist's production.

The movie shoulders the heavy burden of noir by portraying a flawed protagonist, Cliff, whose descent into moral ambiguity reflects a broader critique of American values and capitalism.

The outrage surrounding Brian Thompson's murder highlights a significant shift in public sentiment towards corporations, where frustration has morphed into outright animosity, reflecting a growing dissatisfaction with capitalism.

In "The Serviceberry," Robin Wall Kimmerer argues that our capitalist economy is flawed and suggests a society based on community, gratitude, and reciprocity.

In the absence of meaningful agency over one's existence, individuals resort to creating their own reality, even though it's inherently unsafe and devoid of true comfort.

The narrative of America as the land of the free has ceased to be many voters' top priority. This shift reflects a critical choice among immigrant groups.

After 15 years of longing to become a vampire, Guillermo has finally become a bloodthirsty parasitic monster who views humanity as grease for the filthy wheels of commerce.

In "Anora," Sean Baker explores the tension between everyday magic and the harsh realities of modern life, highlighting the struggles of his characters in a capitalist society.

Oliver Callan speaks candidly about his career, reflecting on how quitting television has allowed him to explore new avenues of creativity while still connecting with audiences through radio and live performances.