#brodi-hughes

#brodi-hughes

Tom Prochaska distinguished himself in many mediums: He was a masterful printmaker, an intuitive painter, a builder of papier-mâché figures, a creator of fused glass panels, and graphite-on-paper drawings.

"It's an amalgamation of the Chicago neighborhood aesthetic with a Bulls fan, quite literally. It's kind of on the nose, but that's how I juxtapose the elements of my work, with the structure of a home and then a figure who is around or in the home."

Anderson's paintings are a poetic response to place, teeming with personal and cultural resonance, often relating to a feeling of 'being in one place while thinking of another.'

Braulio gives the crowd an incredible insight into a decade's worth of poster designs for Good Room, revealing how he finds inspiration in the most mundane things just by paying attention to what has 'already been designed' and remixing it into something new.

Upon entry, Kent's "IF" (1965) lures the eye upward. The serigraph-a silkscreen print in fine art parlance-hangs high on the wall with a subtle vulnerability. Two orange letters hover toward the composition's top edge, as if pushing to transcend the picture plane. A feeling of possibility emerges through the conjunction and its visual form.

The show features pieces by participants in JASA's programs. The organization, which serves more than 40,000 older adults every year, offers art classes and creative workshops designed to bring people together while encouraging self-expression. The results will be on full display here, from paintings and textile work to other handmade pieces that reflect the artists' personal stories and styles.

The ridges of eucalyptus bark, the geometries of shell formations, moss-covered trees, Indigenous grasslands and the hidden networks of fungi beneath the soil. These landscapes produce organic yet abstract patterns - natural systems that quietly shape the way we see and design the world around us.

David Morrison continues his hyperrealistic explorations of flowers, seeds, and plants, capturing the intricacies and alluring textures found throughout nature in lush colored pencil.

LG Gallery+ is a new visual curation service for LG TVs - and a brilliant way to make your home more unique and personalized. It lets you express your ever-changing creativity with a massive library of classic art, digital and 3D artwork, scenery, games, and more. With more than 4,500 options to choose from, you can turn your LG TV into a world-class art gallery, a peaceful forest, or an homage to your favorite video game - all in the same day.

Bella Han is a freelance illustrator from China and a first year student in the MFA Illustration as Visual Essay program at the School of Visual Arts (Class of 2027). This work is part of a series illustrating one of the most famous Qing Dynasty stories in China, which depicts the opulent yet tragic life of Zhenhuan, a concubine of Emperor Yongzheng, who later became Empress Dowager after his death.

AT FIRST GLANCE, the phrase "avant-garde advertising" might seem like a contradiction in terms: The avant-garde is assumed to be inherently anti-capitalist and the realm of advertising crassly commercial. But the involvement of avant-garde artists with advertising is in fact rich, complex, and long-standing, encompassing a full century of collaborations, critiques, and reworkings of all sorts. That entanglement-in all its diversity-is the topic

While Hopkina, who is based in New York and Massachusetts, has been included in many local group exhibitions and screenings, Basso dives deep into the artist's work with six films created over a nine-year period. As a member of the Ho-Chunk Nation/Pechanga Band of Luiseño Indian, Hopkina's use of poetry and atmospheric aesthetics is not only visually compelling, but mines the edges of linguistic, visual, and cultural legibility.

Now, he celebrates his first major presentation in Latin America, in congruence with Mexico City Art Week 2026 and ZSONAMACO, showcasing on an ideal stage inside one of the city's most architecturally layered interiors. Titled The Resident, the site-responsive installation, created during a residency at the Diez Company house, transforms the historic showroom into an immersive tableau where more than 50 works negotiate the boundaries between collectible design, contemporary art, and spatial theater.

In many ways working in the tradition of Kazimir Malevich and Josef Albers, his compositions employ a language of squares and rectangles known as "Cells" and "Prisons," connected by bold lines called "Conduits." Together, these geometric and linear arrangements tap into the inherent geometry that structure reality, and conceptually refer to the construction of everyday life, both public and private as well as physical and psychological.

His humor, his clarity, and his vision shaped many discussions across the agency and within the wider photographic world. This exhibition pays homage to the unique vision of Martin Parr, whose sharp eye for contemporary society and prominent role within Magnum Photos have left an enduring mark on photography.

Dealers like artists with established sales records because it lowers their already considerable financial exposure. Renting a gallery space in Tribeca costs anywhere between $8,000-30,000 a month on top of staff, marketing, and daily operations. With that kind of overhead, very few business owners can afford to take on the financial risk of untested artists.

With most of us, 90 minutes of reminiscing wouldn't make for scintillating theater. Gert Boyle, as played by Wendy Westerwelle, is the exception to that rule. The late Gert came to fame when she took the reins of Columbia Sportswear after her husband's death in 1970 and also became the "One Tough Mother," with gray hair and glasses, of its comedic '80s and '90s ad campaigns. In one, she put her son, Tim, through a carwash to test the durability of a coat.

Appointed Artistic Director of the Visual Arts Department in December 2024, Kouoh had fully developed the theoretical framework of the exhibition, artist selection, editorial structure, graphic identity, and spatial layout prior to her passing in May 2025. With the support of her family, La Biennale di Venezia committed to realizing the project exactly as she had conceived it.