The Baltimore band's rendition of 'I Wanna Be Adored' is a clean combination of their dreamiest impulses and their rock-forward energy. Taking the tempo up just a tad from the original, Turnstile bring a touch of restlessness to the cover; frontman Brendan Yates powers through his vocal performance with passion, nailing a few arching belts as the band plays behind him with poise.
"Can't get enough of this one from @turnstileluvconnection," Branch wrote in the caption of her Instagram post sharing the stripped-down piano cover. Get Turnstile Tickets Here We named "NEVER ENOUGH" as the Heavy Song of the Week when it was released in April 2025 as the first preview of one of the best albums of the year, hardcore or otherwise. The song peaked at No. 7 on the Billboard Rock & Alternative Airplay chart.
Bon Iver's Justin Vernon is a perennial Recording Academy favorite, having won Best New Artist over a decade ago off his 2011 album. He's since been consistently recognized for his own releases, as well as, more recently, his work on Taylor Swift's pair of 2020 albums, and . Vernon is nominated for Best Alternative Album, for SABLE, fABLE, and Best Alternative Music Performance, for its single " Everything Is Peaceful Love."
Featuring some of the most recognizable Fender silhouettes and body styles, the American Professional Classic emphasizes vintage aesthetics and modern playability. The new line features Stratocaster, Jaguar, Telecaster, Precision Bass, and Mustang Bass models, each with overwound vintage-style pickups and modern performance-enhancing aspects, such as a modern "C"-shaped neck. These axes offer an accessible entry point for players looking for a pro-grade, stage-ready instrument, with prices ranging from $1,500 through $1,600 - a few hundred less than the American Professional II Stratocaster, for example.
Not only have Turnstile become one of the premier artists of the ongoing hardcore resurgence, but they've grown into that role with a noticeable amount of grace. Though born in the punk intimacy of crammed clubs, the Baltimore act has proven over the last few years that they can light up a sprawling festival stage or sold-out amphitheater as efficiently as anyone. Last night in Chicago, at the Huntington Bank Pavilion, they did just that.
