"I understand the fascination with Bigfoot," says filmmaker Marq Evans, whose documentary Capturing Bigfoot drew rave reviews at the SXSW Film & TV Festival last month. "It's a mystery. Everybody loves a mystery. Although to some people, it's not a mystery. They've seen it; it's proven. And there's nothing that you can tell them to say otherwise."
The first thing you notice about undertone is how quiet it is; not just in its audio mix, but in how it's shot - primarily steady wide shots that slowly pan across empty rooms, allowing your eyes to frantically scan for something amiss. It's an understated form of filmmaking that allows for the movie's scares to hit all that much harder.
Until recently, "liminal spaces" were only known to architects. But on the Internet, storytellers and amateur filmmakers have morphed these ubiquitous places you pass by on errand runs into caverns of cosmic terror. Now, a new A24 film from 20-year-old filmmaker Kane Parsons is set to kick off the summer and christen it the season of liminal horror.
I posted a rave review of the new Sam Raimi film, Send Help, the other day and triggered a debate I didn't expect: is it OK for Christians to watch horror films? Send Help a gore-laced plane-crash survival face-off, according to the Guardian review (which was less kind than mine) is more comedy-horror than horror, or maybe horror/thriller. But there's definitely horror there you get the point.
After spotting that Eli's rash guard conceals a red, flaky skin disorder, the boys have concluded that he has the titular plague, a contagious disease that affects social standing as much as it does dermatological well-being. If anyone ever touches him, they must thoroughly wash themselves before they're considered full-blown infected. Even something as innocent as Eli sitting at the same lunch table sends his teammates running and screaming.
Boris Karloff stands tall as one of film history's most iconic performers, particularly within the horror genre. Foremost known for portraying some of the most iconic monsters in film history, from his work as Frankenstein's Monster in Frankenstein, Imhotep in The Mummy, or voicing The Grinch himself, Karloff had a few distinctive attributes that made him one of the most memorable stars of the era.