I understood at a very early age how much place matters and how impactful government services can be on one's life. The Mayor's Office of Equity and Racial Justice was really focused on working with agencies to think about how they're addressing inequity, whether it's through budget as a lever or personnel as a lever, procurement, policymaking. But land use is a lever as well.
Craft is often defined as skill in making things by hand, but this interpretation is being challenged by AI. Craft transcends physical interaction; historical figures like Mozart and Beethoven exemplify mastery without traditional methods.
"It's a really special spot. When you start at the top and move down the gently sloped ramp, you almost feel like a marble tumbling down, looking at art as you roll by. The slight slant plays with your sense of perspective and grounding."
The entire indoor journey, from entry to elevator to the 100th floor, has been reimagined as a multi-sensory, immersive environment. The overhaul comes via a collaboration between experiential design firm Journey, multimedia studio Moment Factory and NYC-based design outfit SOFTlab.
"The ruins from the Middle Ages are part of our common history. With these grants, we are strengthening the work that makes it possible to preserve them, not only as historical traces, but also as living sources of knowledge for both researchers, craftsmen and local communities."
"When I see this, I'm thinking hallelujah. It's the first real indicator that the VA is willing to step up and get that chapel restored, which frankly I think is their responsibility."
The fire burned portions of the Camron-Stanford House, a three-story Victorian on the southern end of the lake. Firefighters were able to save the home, but preservationists have questions about how the fire started.
The Landmarks Preservation Commission voted unanimously to recognize the 1889 Romanesque Revival school building for its architectural significance and its role in expanding educational opportunities for women, immigrants, and working-class New Yorkers.
"Brooklyn has always been a place where movement is part of daily life. But today, Brooklynites, like all New Yorkers, are moving less, feeling more isolated and dealing with elevated rates of chronic diseases."
The contemporary technology museum has emerged as a performative participant in the systems it seeks to document. The architecture of these institutions has become increasingly fluid and bold, often mirroring the velocity and complexity of the systems it houses. They operate as mediators between the human, the ecological, and the technological realms, transforming from encyclopedic warehouses into active educational engines.
The design by 1Y Architects approaches this silence as material rather than absence. Instead of clearing the debris scattered across the site, the team gathered bricks, concrete fragments, and broken tiles from former factory buildings. These remnants form the structural fabric of the sound museum itself.
Designed by noted residential architect Roland E. Coate, the home was built in 1926 for Annie Wilson, daughter of pioneering Southern California businessman and politician Benjamin Wilson, for whom Mt. Wilson is named. The gently sloping 1-acre-plus property was once part of the vast holdings of George S. Patton, father of the famed U.S. general.
Unrivaled in scale, this nearly 18,000-square-foot manor is a masterclass in architectural precision. The exterior's brick and granite facade is defined by four regal balconies featuring exquisite limestone and granite architectural balusters. Inside, the home is a showcase of custom interior detailing, featuring extensive shadowboxes, art niches, and intricate tray ceilings. Vertical proportions are equally impressive: the main level boasts 20-foot ceilings in the living and family rooms, with 10-foot ceilings throughout the rest of the floor.
A Gothic cathedral can take centuries to complete. A world exposition pavilion may stand for six months. A ritual structure in Kolkata rises and vanishes within five days. Yet each draws pilgrimage, shapes collective memory, and reorganizes urban life. If heritage has long been defined by what endures, architecture repeatedly shows that cultural authority can also belong to what gathers people.
Heritage sites constitute complex spatial archives in which architecture, history, and collective memory converge. They encompass a wide spectrum of contexts-from archaeological remains, ancient and historic townscapes, UNESCO-listed landscapes, to early modern civic structures and industrial infrastructures. Yet these environments confront challenges: climate change, urban transformation, disaster, shifting social needs, and the gradual erosion of material fabric. Revitalization and restoration projects respond to these conditions by positioning architectural and spatial practice as an active mediator between preservation and the contemporary topologies.