My driving belief is that we need to be able to communicate, to touch humanity, to try to connect to each other in some way, but I'm also not trying to forgive or underplay the extremities. There was fighting either between different factions or just for fun. Initially, what I saw was deeply shocking. When you're in those environments, it's so venomous and hateful.
My family had Slide Show Night when I was growing up. Not every Saturday, but a whole bunch of Saturdays. Either my sister or I would be in charge of setting up the projector, the screen, and loading the carousel. During the show, there'd be a few landscapes or skylines taken during vacations, but almost all the shots were up close. Like most dads, mine wasn't a professional photographer, but he did a good job of capturing memory triggers: faces, gestures, and decorations.
As a child, Ed Alcock listened to the story of his great uncle Kendon's death at the age of 17. It happened at the bottom of the mine, his mother, Sheila, told him one day. He had been working there since he left school. A section of the gallery sank and a heavy crane fell on him, crushing him and causing head injuries. They took his body out of the mine, but he never regained consciousness.
A look at how economic globalization has left its mark on former industrial cities and struggling small towns across America by photographer Matthew Ludak. Ludak received his BA from Drew University and MFA from the University of Wisconsin-Madison. His practice explores contemporary social issues, including classism, de-industrialization, environmentalism, and structural racism in the United States. He currently resides in Philadelphia, Pennsylvania, where he continues to explore the intersections of art and social justice through his photography and non profit work.
Raschka once again chronicles the lives of his own sons, only this time traversing the labyrinth of puberty and brotherhood that marks their transition to adulthood. "Tween" explores this intense period in sixty black and white photographs taken between 2020 and 2023-years that coincide with the COVID-19 pandemic. In this way, not only are the young men struggling within themselves, they are also grappling with the challenges we were all facing during those years:
He is the founder of Offspring Photo Meet and the Sicily Photo Masterclass, and the author of Terra Nostra, East London Up Close, and his latest book, Moon City. In Moon City (co-published with Dewi Lewis Publishing), Mollica spent more than five years photographing the lunar surface and the city's glass and steel towers, overlaying images of people walking the streets, captured through telescope and mobile phone.
Tu grew up near the Jialing River and often swam there as a child. After studying in other cities in his youth, Tu returned to Chongqing for university. The Chongqing of today is different from the Chongqing of Tu's childhood and these images are an effort to record those changes-to tell the story of the riverside from his perspective and memory. While initially noting the distinct shift in urban architecture, Tu began to notice other things like increased congestion, environmental pollution, and poverty:
A visual dialogue with the folklore of the Czech countryside by photographer Martijn Schmidt. Based in the Netherlands, Schmidt attended the University of Arts, Utrecht, where he specialized in documentary photography. His work is rooted in an engagement with the other, which often leads to a deeper understanding of his own identity. Through portraits, landscapes, and still lifes he explores how human practices, traditions, and beliefs are shaped.
Durst's second book, " The Four Pillars," was made largely during the COVID pandemic. Its ambiguously staged scenes, many involving a New Age self-help group that Durst had been following since the church-basement days, leaned into the strained artificiality of the period. Taking the pictures in "The Children's Melody" felt like "a return to the world," in all its baffling complexity, Durst told me.
Screenshot Lena Capillas work blends melancholia and mystery, evolving between documentary and fashion photography. Through both photography and film, she explores the boundary between dreams and reality, examining how emotions and the subconscious shape our perception of time. Her characters are often caught between memories and present existence. In her photography, she treats subjects as more than models, fostering a collaborative process akin to directing actors in cinema.
A cartographer, a composer, an archaeologist, a neurobiologist and an astrophysicist are among this year's MacArthur Fellows, one of the most prestigious cash awards given to "extraordinarily talented and creative individuals as an investment in their potential," according to the MacArthur Foundation. Each Fellow will receive a no-strings attached award of $800,000. So how do you get one of these so-called "genius grants"'? You need to be nominated and vetted. It's a selection process that takes "many months and sometimes years," said Marlies Carruth, director of the MacArthur Fellows Program.
The Eyeshot Photography Open Call 2025 reaffirms its status as a premier platform for street and documentary photography, showcasing powerful, award-winning images that reveal the raw pulse of everyday life. From Tokyo's bustling alleys to Havana's quiet corners, each photograph offers an honest, emotionally rich glimpse into moments we often overlook. Curated by a global panel of experts, these works blend technical brilliance with poetic storytelling, capturing fleeting expressions, striking light, and urban geometry.
Low birth rates, aging residents, and evolving or shuttering industries pair with a trend of younger people migrating to metro areas for jobs and more diverse cultural amenities. As of 2022, the U.S. Census bureau estimates there are more than 15 million abandoned houses around the country, which have been left for myriad reasons ranging from foreclosures to structural issues to the death of inhabitants with no one else able or willing to shoulder the responsibility of a home and its furnishings.
A series integrating border politics, accessibility, secrecy, and the complexities of human nature by New York-based photographer Michael Valiquette. Valiquette is a multidisciplinary artist, photographer, book maker, and graphic designer. He holds a Bachelor of Arts degree from Siena College and has worked as a Graphic Designer and Photographer at the Experimental Media and Performing Arts Center at Rensselaer Polytechnic Institute. For the last two years, Valiquette has been making images in "places that divide"-barriers (real and imagined) across Mexico, the United States, and Canada.
Sophie Green documents the culture on her doorstep; she's fascinated by who - and what - makes British culture, and its "layered, joyful, and often quietly resistant" communities. Sophie's new book, Tangerine Dreams, is the culmination of a decade of documentation, covering Aladura Spiritualist congregations, modified street car communities, marching bands, dance troupes, British cowboys, dog shows, horse racing fans, Peckham afro hair salons, and Irish dancers.
