#creative freedom

#creative freedom

"I try to foster an environment of optimism," says global chief creative officer and partner, Aaron Starkman. You only need to look at his LinkedIn bio to understand his stance: 'We will not sell Rethink,' it boldly spells out, in all caps. "I want a young, creative person to know if they have a crazy idea, it's probably going to happen, as long as it's right for the brand."

Garris' premise for Masters of Horror, which debuted 20 years ago, was optimistic and nostalgic: let legendary genre filmmakers tell stories without the restraints usually imposed by Hollywood. The budgets wouldn't be exorbitant, but they'd be enough to tell proper, terrifying, and most importantly, creatively liberating stories. And while not all of them would be classics, one can see why many of these directors are regarded as cinema legends.

"You don't want to be trading your integrity for exposure, which I think a lot of times happens inadvertently on social. Everybody wants to participate, and I think that's a beautiful thing, but you also want to be really careful of protecting your peace and setting some boundaries."

I'm having a moment, I'm having freedom. I've been an actor, I've been in horror movies, obviously, for a long time and only recently I've understood that I'm an artist.

"The indie game market is projected to reach $4.85bn in 2025 and $9.55bn by 2030, with mobile games accounting for half of all revenue."

Kesha's new album showcases her signature party-fueling hedonism, blending current trends with recession pop aesthetics, demonstrating her authenticity and creativity over nearly two decades.

"I've got an animated show, got a comedy, and we've got like two dramas," says Crumpler. "All of them take place pretty much in the Bay Area."

Hazbin Hotel offers adult-oriented, irreverent humor and compelling storylines, focusing on themes of sex, gender, and identity through the lens of a hellish setting.