#anger-in-art

#anger-in-art

The sculpture shows a suited person marching forward off of a plinth, their face smothered by a billowing flag. It sits on Waterloo Place, near statues of Edward VII and Florence Nightingale.

Impasse is a powerful, driving, high-speed performance with a set and props that reference African immigration, confronting the biased narratives etched onto Black bodies throughout history.

Michael Jantzen's Monumental Engines of Creation series features sculptures that appear to serve a function, yet their purpose remains deliberately ambiguous, inviting viewers to engage with them on a deeper level.

Our study demonstrates that volatility was a key source of his creativity. We find consistent evidence in the letters that Van Gogh increasingly oscillated between opposite emotional states, such as joy and sadness or between aspirations for belonging and for isolation.

My primary theme is the 'suggestive dreams' I experience daily - those vivid dreams where the line between good and bad is blurred. In Korea, there is a superstition that 'selling' (sharing) a bad dream to others makes it lose its power; I find a similar healing through my art by sublimating my dreams into my work.

Stella Stallion, the Berlin-based half-human, half-horse, whose potent mix of Eurodance, 90s techno, happy hardcore and gabba has polarised the dance music community.

Silent Embrace uses choreography and physical interaction to explore how bodies respond to restrictive spatial conditions, revealing the adjustments required to inhabit spaces not designed for rest.

Paulo Nimer Pjota describes his artistic process as akin to a hip-hop producer, sampling imagery and motifs from diverse sources, including ancient civilizations and Brazilian folklore.

In many works, sturdy, almost sculptural nude women appear alongside children and dogs, suggesting an untamed intimacy. The rust-colored painting is Barry's interpretation of the famed Capitoline Wolf, a centuries-old sculpture depicting Romulus and Remus, the mythical twin founders of Rome who were suckled by a she-wolf after being abandoned.

This captivating photo depicts not an isolated incident, nor accident, nor allegory, but rather an ongoing war crime, underscoring the importance of not looking away.

I think it was from a quote or something where I said I wasn't necessarily concerned with the films making perfect sense. My works are a reflection of that chaos and unpredictability.

Much of Instagram's video content is organized around transformation-the virtual magic of the before-and-after and clips that show cause and effect. A person makes pasta from scratch in 20 seconds via edits that compress time-intensive labor.

On Franklin Street in Brooklyn's Greenpoint neighborhood, one non-commercial gallery fosters 'a small, stubbornly human space for friction.' Friction—the ubiquitous buzzword that captures the simultaneous delight and discomfort of doing things the slow way—is at the heart of artists Pap Souleye Fall and Char Jeré's current show at Subtitled NYC. It also reflects the overall spirit of this little exhibition space and of a burgeoning movement to reject our culture of optimization in favor of a bumpier, more intimate, less alienating experience.