Keogh, flanked by bandmates Eoin Fitz Fitzgibbon on guitar and Eoghan McGoo McGrath on banjo, reads from his phone as he lends his chesty baritone to the just-written chorus of Killeagh: They'd go rarin' and tearin' and fightin' for love / For the land they call Killeagh, and the Lord up above.
This VIP refurb has been a dream of mine since I joined Ministry of Sound 10 years ago. From the start, I knew that opening up this space to the Box would be a total game changer - not just for our guests, but for the artists too. It's been a real passion project, and we've poured everything into creating something that feels bold, immersive, and electric.
As word had spread that the building was surrounded by police, a young DJ who was on the decks at the time, Rob Tissera, decided to take action. I got on the microphone, and very stupidly and regrettably, said: If you want to keep the party going, we're gonna have to fight the bastards.' People did just that. Everybody turned into bloody hooligans, he says. It ended in a three-hour siege and got pretty nasty.
Malcolm Bruno, a Welsh early-music specialist, reconstructed it in this century, and saw... a 'possibility of a dramatic production, hearkening back to the earliest of Lutheran traditions with the Biblical text spoken.'
World Athletics is closely monitoring outstanding athlete payments from Michael Johnson's Grand Slam Track series, admitting: There is no point in pretending this is a satisfactory situation. Johnson unexpectedly cancelled the final Los Angeles leg of his new four-meeting series last month following low spectator numbers at the opening three editions.
The dance is non-stop, a showcase for the tremendous dancers of her company, all quite different bodies but brilliant technicians, rooted in classicism with Tharp's easy synthesis of jazz, contemporary and vernacular dance forms.
Miles Harrison expresses discomfort with being labeled the "voice of the Lions," despite his significant role in narrating key moments from Test series since 1997.
The show's protagonist, Jess, finds herself in London, pursuing a romantic fantasy inspired by classic literature. Her affection for an indie musician embodies a cultural nostalgia.