The Great Recession, and then the pandemic, did in some of the last holdouts. But not Berkeley's Back Room, which celebrates its 10-year anniversary this month. The Back Room's survival is due to the passion of its founder, Sam Rudin, the musicians who love it and come back time after time to play there, and the commitment of audience members who know the experiences they have there are truly memorable.
Win two tickets to OMSI's newest exhibition, TITANIC: The Artifact Exhibition, opening March 21! Explore more than 100 real artifacts recovered from the ocean floor, and learn about life aboard the Titanic and the deeply human stories behind one of history's most enduring legends.
Volti and Left Coast meet in a bold and dramatic new work by Chris Castro for storyteller and musicians, which delves into the ancient and universal human explanations for our beginnings. The human relationship to our environment forms a through-line from romantic to experimental musical sensibilities.
One of the under appreciated perks of living in the DC area is the unfettered access to free cultural and educational experiences. It's easy to forget how lucky we are to have spaces like Millennium Stage -until you visit venues in other cities and are required to pay *gasp* an entrance/ticket fee. Now that the temperature is back in double digits and the snowcrete is finally melting, there's no better time to venture out to Millennium Stage.
Craft beer has always been about creativity and community, but when it teams up with rock music, it becomes something truly special. In this post, we'll explore some of the most iconic collaborations between craft breweries and legendary bands, highlighting how these unique brews reflect the spirit of rock culture. ## The Rise of Band-Inspired Brews As craft beer continues to dominate the beverage landscape, breweries are increasingly looking to popular culture for inspiration. Band-inspired beers have become a staple, and for good reason. They not only attract fans of the music but also tap into the stories, values, and identities that these bands represent.
Tiny Desk Radio co-hosts Bobby Carter and Anamaria Sayre present performances from the next generation of Americana music: Sierra Ferrell, whose sound is firmly planted in the roots tradition; Wyatt Flores, an Oklahoman "red dirt" country singer; and MJ Lenderman, an indie rocker who doubles as the guitarist for the band Wednesday. Sierra Ferrell: Tiny Desk Concert Wyatt Flores: Tiny Desk Concert MJ Lenderman: Tiny Desk Concert
At only 17 years old, the Eugene, Ore., native Maria Telesheva is already an accordion wizard. I have trouble simply pushing the right button in an elevator. So watching Telesheva's fingers fly gracefully over more than 200 buttons on her bayan, as the instrument is called in Russia, is a thrill. She makes the tightly braided voices in J.S. Bach's thicket of counterpoint sing and dance.
A band called Ad Nauseam is dead set on keeping grunge alive in Portland, but no local venue will return their calls to play a show. Like the most iconic grunge acts, Ad Nauseam has deep PNW roots. They deliver sludgy, whining guitar licks and haunting, sandpapery vocals. They've even got an angsty tune called "Scab Pimple" for goodness sake. So why can't they land a gig? Well, it might be because all four band members are between the ages of 10 and 16.
Angels exist, I swear! If you were at the sold out Austra show on Monday, you would have witnessed Portland-born, Berlin-based multidisciplinary artist Colin Self descending from the heavens to bless us mere mortals with their angelic vocals and cherub-like presence. If you're looking for something to believe in, believe in music-it's one of the very few things with ability to unite complete strangers in dialog, movement, and tears.