#spotlight

#spotlight

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

LORNE, an unprecedented, behind-the-scenes glimpse at the man who built an inimitable empire of comedy, shaping television and culture for generations.

Carter Shocket stated, 'They kind of felt like they happened and then they were over, like it wasn't a long-lasting kind of project. It was just a flash-in-the-pan kind of thing.'

The Mayor's Office poked gentle fun at Mayor Zohran Mamdani's famous grin with a parody of the horror movie franchise for the annual Inner Circle fundraiser gala.

Druski's video skit, 'How Conservative Women in America Act,' went viral, showcasing a parody of Erika Kirk with over 7.8 million views on Instagram and 28 million on Facebook.

On May 2, 2025, arts and cultural organizations across the country received notifications that grants and funding promised by the National Endowment for the Arts were being rescinded. This was part of a larger initiative by the Trump Administration to dismantle not just the NEA, but also other arts advocacy programs including the National Endowment for the Humanities and the Institute for Museum and Library Services.

For all its historical trappings, 1776 isn't a pageant, and it doesn't behave like one. It's a talky, funny, occasionally cranky chamber piece about a group of men stuck in a room, led by the stubborn, relentless John Adams, arguing their way toward independence.

Under the ABS challenge system, a team begins each game with two challenges. If a player gets an umpire's call overturned, their team retains the challenge. In effect, this means a team has unlimited challenges until they get two wrong.

"Rather than a traditional theatre, we are creating a garden of earthly delights. Empyrean is a place of ecstasy, artistry and real interpersonal connection. When the curtain falls, the night has just begun."

Jack White took a humorous approach to stop Domingo from singing, bonking him on the head with a frying pan to enforce the no singing rule.

MarcAurele knew he had to strike while the iron was red-hot, so he got to writing, and in just three short weeks he was bringing the show to life, complete with a number that explored the inherent musicality of that bike scene and another that featured a chorus lauding 'gay hockey players with big butts' as if they were singing a church hymn.

Soderbergh has become such a prolific, tirelessly resourceful, and altogether uncategorizable filmmaker that you have to wonder why the mechanics of the break-in still inspire him.

In the new film, he plays a hit man named Mike who is attempting to leave the business when he's framed for murder. He's sleeping with loan shark Nick's wife Alice, so Nick tricks him into pulling off one last job.

In the film, Bronz's character is commissioned to compose a new national anthem for post-Oct. 7 Israel, and writes a warmongering ballad about destroying Gaza and 'love sanctified in blood.'

The final show I review below got me looks that made me feel like a fish in a bowl. First, the private security at the door had two Valiant rent-a-cops who scowling at me-and only me-with that same 'Give me an excuse!' glare I've gotten from real cops all my life.

ARMY Twitter was aflutter with accusations that the warm-up comic for The Tonight Show Starring Jimmy Fallon made a racist joke. He said, 'Anybody here from the North? No? Nobody?' Fans interpreted that as being directed at the band, implying that one of them was from North Korea.

His writing is incredible. The characters are real. There's so much for actors to dig into. To be able to write that way and to connect with people, you're operating on a higher plane.

Teatro Fest NYC returned for its 11th year earlier this month, celebrating a history of Latinx identity and performance through 24 unique and original shows.

Two years ago, the annual Under the Radar festival (which showcases international, experimental and multidisciplinary theater) was unexpectedly canceled by the Public Theater, its longtime presenter, due to financial issues. In response, the festival was quickly reconceived as a citywide effort involving several other theater companies, allowing it to move forward. The festival, now in its 21st edition, returns this month with productions at theaters across the city from Jan. 7 to 25.

The New York Comedy Film Festival has announced the full lineup for its inaugural edition, running February 15-22, with screenings and events taking place at venues including Asylum NYC and the Baruch College Performing Arts Center. Spanning a full week, the festival aims to showcase the range of comedic storytelling on screen, from broad laughs to darker, more experimental takes, across features, shorts, series and documentaries.