The growing Aadam Jacobs Collection is an internet treasure trove for music lovers, especially for fans of indie and punk rock during the 1980s through the early 2000s.
Jack Karlson's declaration, 'Gentlemen, this is democracy manifest! What is the charge? Eating a meal? A succulent Chinese meal?' has become a viral sensation and is now preserved in the NFSA's Sounds of Australia collection.
The allure of the project is that the magnetic tape doesn't reproduce audio cleanly because the oxide coating introduces a slight instability in playback speed. But these are the 'flaws' that Iulius Curt is after, allowing the resulting sound to have that lo-fi warmth that's ideal for ambient listening.
Bregman claims, 'Today the whole of Europe risks turning into one big Venice, a beautiful open-air museum. A great destination for Chinese and American tourists. A place to admire what was once the centre of the world.' This statement encapsulates the concern that Europe is losing its cultural significance.
The Household and Wardrobe Accounts are English records that document the daily needs of the king and his family. This book serves as a guide to these sources, showing how they can be used and what valuable insights they offer into medieval government.
The contemporary technology museum has emerged as a performative participant in the systems it seeks to document. The architecture of these institutions has become increasingly fluid and bold, often mirroring the velocity and complexity of the systems it houses. They operate as mediators between the human, the ecological, and the technological realms, transforming from encyclopedic warehouses into active educational engines.
The Arctic World Archive (AWA) is a data storage unit where organisations and individuals can deposit records kept on specialist digitised film called Piql that lasts up to 2,000 years. On 27 February, Nigeria became the first African country to place archives at the facility 300 metres beneath a mountain where the cold, dark, dry conditions are perfect for preservation.
The vocoder was never supposed to be a revolution in music. Its development began a century ago, when an engineer at Bell Labs was looking for a simpler way to send phone calls across copper telephone lines.
The inquiry was like thousands of others. Somebody had potentially cool films they thought might interest the Library of Congress. But it was brand new for Jason Evans Groth... In September, he stepped outside the National Audio-Visual Conservation Center in Culpeper, Virginia, to meet Bill and Mary McFarland, who had driven from Michigan with about 40 strips of celluloid that had once belonged to Bill's great-grandfather.
The collection shows how Fernandez used photography to explore and express her gender, identity, and personal life from the 1950s through the 1980s. Materials include photobooth strips, Polaroids, and personal snapshots, often capturing moments with partners, friends, and members of the queer communities she was part of. They offer a glimpse of everyday trans life across several decades, reflecting both private relationships and broader social worlds.
"A lot of these AI businesses are looking for readily available, structured databases of content," Robert Hahn, head of business affairs and licensing for The Guardian, told . "The Internet Archive's API would have been an obvious place to plug their own machines into and suck out the IP."
It's similar to a vinyl record, but the tracks are in a USB drive. It has no moving parts inside, so it's totally digital in how it stores sound. But it has a physical shape users can hold, flip over, look at, and collect, so in a way, the designer is asking: what if digital music had a physical body?
When universities began to emerge in Europe during the eleventh and twelfth centuries, they soon became important centres of knowledge. Their libraries could hold hundreds of books, and many of the most valuable volumes were kept under close control - sometimes even chained to desks. We have few details about how medieval university libraries operated, but a revealing set of rubric headings survives from the University of Angers in western France.
Radioposter has built what it calls Paper-fi: physical books with synchronized audio soundtracks that follow readers in real time as they turn each page. No chips embedded in the paper, no QR codes to scan. The system uses patented computer vision and other modes through a smartphone or smart glasses to track your place in the book and play the corresponding audio.
Recently, AI decided that a painting long thought to be a copy of Caravaggio's The Lute Player is actually by the master, while another version of the same subject, previously thought to be authentic, is not. Both conclusions were disputed by the former Metropolitan Museum of Art curator Keith Christiansen. A similar debate erupted in March 2025 when AI declared that portions of The Bath of Diana, also long believed to be a copy, could have been painted by Peter Paul Rubens.