#jazz

#jazz

Cupid gets his main-character moment this weekend. We asked New Yorker staffers to help build a playlist befitting his romantic mission. For a classic piece of nineties Brit pop, Oasis's " Slide Away" is basically an absurdly romantic ballad of plain devotion and yearning-which "Wuthering Heights" has established as the emotions of the season. May your Valentine's Day be all about both!- Noreen Plabutong

He battled the often fatal disease with a unique combination of courage, fortitude and humor. After all, humor was just one of Ken's many remarkable gifts. He was without question the quickest and sharpest wit amongst all our artists. Ken always brought joy to every gig or occasion. No one came away from a conversation with him without a laugh or smile.

The Bad Plus have expanded their farewell tour, including stops in Seattle, Boise, NYC, DC, Albany, Montreal, Northampton, and more. All dates are listed below. The NYC show is at Sony Hall on June 19, and tickets for all just-announced dates go on sale Friday, February 6 at 10 AM local time. In addition to the farewell dates, The Bad Plus' Chris Potter and Craig Taborn will be touring a tribute to Keith Jarrett's American Quartet, and those dates are below.

The last swing music revival of the late 1990s heralded in by groups like the Brian Setzer Orchestra may have seemed like the end of the line for the big band-fueled dance craziness - just don't tell that to Rebecca Roudman.

Destin Conrad dropped his second studio album, a jazz project titled wHIMSY. Both albums climbed the charts, and Conrad snagged a Grammy nomination for best progressive R&B album for Love on Digital his first as a solo artist. In an interview with All Things Considered, Conrad said he sometimes wondered if people wouldn't take him seriously as a musical artist because of his history on the former video-sharing app Vine, where Conrad shared quirky jokes and clips of himself singing samples

The highly impressive group reflects the current state of jazz, where both young guns and veterans are combining to bring the music to a new swell of fans. To talk about the present state of jazz, The Times brought together 26-year-old Joy and 75-year-old Bridgewater. What followed is an incredible conversation on politics, race, equality and mutual fandom. You both have had Grammy success.

Ethan Buck, on alto saxophone, shined while doubling Kabir's solos with his own simultaneous soaring lines, bringing the set to repeated climaxes. But it was Kabir's night, and rightly so. Neither a soul flutist in the vein of Bobbbi Humphrey, an avant-gardist like Eric Dolphy nor a showman like Rahsaan Roland Kirk, Kabir is reaching for something deeper, and she frequently finds it.

Now we finally know when the venue will open and its opening lineup. Jazz-heads, mark your calendars for Friday February 6, which is when Upstairs At Ronnie's will open with two events. The first slot (5pm-8.45pm) will be occupied by soul and jazz singer Dana Masters, with the 'late late show' (11.15pm onward) set to be from Cuban band Viva Cuba.

So many artists, so many songs, so little time. Each week we review a handful of new albums (of all genres), round up even more new music that we'd call "indie," and talk about what metal is coming out. We post music news, track premieres, and more all day. We update a playlist weekly of some of our current favorite tracks. Here's a daily roundup with a bunch of interesting, newly released songs in one place.

Ringing in the news is his new single " Traffic Lights," which was co-written with Thom Yorke and Josh Johnson, and gets an animated video by Nespy5euro. Check it out below. "Something about it reminded me of Atoms for Peace, so I sent it to Thom," Flea said in a statement, adding that the Radiohead frontman is "just the warmest, free flowing, jamming motherfucker."

Wanda Sykes - Please & Thank You Tour with Special Guest Keith Robinson: Laugh out loud with Wanda Sykes, an Emmy-winning stand-up comedian, writer, actress and producer in show business for more than 20 years. 8 p.m., Center for the Performing Arts, 255 Almaden Blvd., San Jose. bit.ly/4jwGYii SJZ Break Room Jazz Jam Featuring Thomas Pridgen: Join powerhouse drummer Thomas Pridgen and enjoy some great music while learning techniques in this jam session.

The smooth soul of the jazz dances in perfect harmony with the rhythmic sways of the Latin instruments to create a dialogue that crosses mountains of time. This Sunday is a celebration of that connection with "Latin Heart," a new exploration of "the intersection between jazz and Latin American musical traditions." This one-time performance features the Edward Simon trio along with the Del Sol Quartet and guest saxophonist Chris Potter.

Multiple successive generations received their introduction to jazz through a beloved if unlikely source: the holiday television specials featuring Charles M. Schulz's Peanuts characters. Bay Area-based jazz legend Vince Guaraldi composed and played the music for several of those animated features; among the most treasured is A Charlie Brown Christmas, first broadcast in 1965 (and every year since then). Guaraldi's eminently tuneful and accessible music turned kids onto jazz without their knowing what was happening.

The best country song about a city will forever be Waylon Jennings' " Luckenbach, Texas," but when Noelle started singing "Taos," her ode to the New Mexico town, I had to rearrange a mental list of runners-up. Every Gillian Welch fan has their favorite songs, and while she and cosmic-folk guitarist extraordinaire David Rawlings didn't play mine (" Wrecking Ball," a beautiful autobiography of life in 1980s Santa Cruz), their set at the Masonic still felt like a big, warm embrace.

Larry Vuckovich celebrates his 89th year on the eve of his birthday, which is December 8! He will be playing with his favorite guitarist, Kai Lyons. Larry and Kai have been regularly expanding their diverse and wide-ranging repertoire. Besides the great jazz classics of top composers, they will cover seldom heard standards, great Latin and Brazilian pieces, World Music gems, and as always funky, boogaloo blues selections.

Baltic Street Wellness Solutions will host "V.I.B.E.: An Evening of Jazz with the Kevin Oliver Jr. Group" on Dec. 5, bringing music, community and mental health advocacy together at the Isaac Brown Healing Arts and Community Center in Sunset Park. The event, running from 6 to 9:30 p.m., aims to raise funds for the nonprofit's health equity initiatives and holistic mental health and recovery services for vulnerable New Yorkers. The theme, V.I.B.E. - short for Valuing Inclusion, Belonging and Equity - reflects the organization's 25-year mission of providing safe, supportive services.

I didn't aim the list to turn out this way, but four of the albums' leaders are women, and five (including three of those four) feature prominent female "sidemen." There's old and young, with the leaders' ages ranging from 38 (Sullivan Fortner) to 87 (Charles Lloyd), the rest widely spaced in between. Seven of the 10 albums were released by indie labels, four of them on labels that are also artist-owned (two on Pyroclastic, one each on Greenleaf and Yes).

Vocalist and songwriter Ren Geisick was the 2010 recipient of an Ella Fitzgerald Scholarship. That same year, Downbeat Magazine named her Outstanding Undergraduate Jazz Vocalist. Reisick completed her studies and released her debut album, Ren, Love Song in 2017. Her second album, The Place I Planned to Go was released in June 2025. But for this City Lights Theater show-celebrating its 11 th year-Reisick and her band get into the holiday spirit with an assortment of classic holiday music, blending traditional melodies with updated, contemporary arrangements that bring together jazz, Americana and blues.

Sleigh bells, make way for the saxophones. Tonight's annual Cool Yule concert at the Hammer Theatre will feature the San Jose State University Jazz Orchestra, along with members of the San Jose Jazz High School All-Stars, playing jazzy, swinging arrangements of holiday standards plus newer compositions. Conducting the musicians will be SJSUs Aaron Lington, a professor of music and himself a Grammy Award-winning baritone saxophonist.

If you want to get your hands on a physical copy of the intriguing new DC-music zine Jazz as Resistance, you could scope out local music venues, where copies will sporadically be available, and hope to get lucky. But the publication's editor, Giovanni Russonello, has a better idea: "The real answer is, write to us at the link on the site and volunteer to fold some for us. We'll send you a bunch so that you can be a part of it."

Born in Philadelphia but now based in the Bay Area, saxophonist Carl Schultz combines traditional jazz textures with a modern flair. With extensive experience both in small combos and big bands, Schultz played more than a thousand dates with the Glenn Miller Orchestra. His latest album under his own name, The Road to Trantor is set for a November 21 release.

Presented by San Jose Jazz, the Break Room is an all ages pop up venue where fans can see unique artists in a temporary setting for a show unlike any other.

I'm glad we're starting to look at historical figures through the lens of neurodivergence (Documentary explores whether JMW Turner may have been neurodivergent, 10 November). But why give JMW Turner the benefit of 21st-century advances in neuroscience and not afford the same courtesy to his mother, Mary, who was believed to have had a psychiatric disorder and would fly into a dangerous temper? This language could have come straight from the admission papers that got her committed to a mental asylum. Jill Metcalfe Bottens, Switzerland

This new series, "The Hang," promises to explore the music of exciting artists and examine the music that inspired them to take it up. The first show features one of the Bay's best and most versatile saxophonists, Howard Wiley, who incorporates elements of funk and a whole lotta soul into his playing. Wiley has toured or played with a plethora of artists like Miss Lauryn Hill, Christian McBride, and Sheila E.

At a 1976 concert featuring American saxophone superstar Stan Getz and Brazilian singer and guitarist João Gilberto, Getz welcomed his partner to the stage in a tone of voice that reveals just how gobsmacked he remained by his genius. "The most individual singer of our time, a true originator," he enthused. "His curious ability to sing warmly without a vibrato, his impeccable and inimitable rhythmic sense, his intimacy, all coupled to his wonderful guitar work, make him unique." If that sounds dry, Miles Davis put it so: "Gilberto could sound seductive reading aloud from the Wall Street Journal."