#exile

#exile

The MEK is an Islamic political opposition group with socialist tendencies. Founded in Iran in 1965, it took up arms against the ruling Pahlavi dynasty, waging bombing campaigns against the Shah's government and US targets in the 1970s and supporting Ayatollah Khomeini in the 1978/1979 Islamic Revolution. Shortly after the revolution, however, the MEK fell out with the new rulers in Tehran and was banned in the country. It then went into exile, continuing its opposition activities from abroad.

The anomaly is best explained by the politics of his father, Mahmood Mamdani. The apple, it seems, did not roll especially far down the postcolonial hillside. Mahmood, professor of government and anthropology at Columbia University, has long styled himself as the left's answer to VS Naipaul. Where the Nobel-winning curmudgeon surveyed postcolonial Africa with disdain, revelling in the wreckage of independence, Mamdani presents a more forgiving view: pathos instead of pity, paradox instead of despair.

When Elena Kostyuchenko (Yaroslavl, Russia, 38 years old) arrived in Berlin after covering the beginning of the war in Ukraine and learning that she could never return to Russia because a price had been put on her head, she thought she was safe. However, a few months later, she was poisoned in Germany with an unknown substance that continues to wreak havoc on her body even today.

She sits on stage dressed in black, smoking an e-cigarette, her blond, curly hair flowing down from her thick knit cap. The unrelenting Maria Alyokhina, a 37-year-old activist and performance artist best-known as a member of Pussy Riot, is presenting her new book "Political Girl: Life and Fate in Russia" in Cologne as part of the literary festival lit.COLOGNE. Maria Alyokhina is one of several women who staged a protest the evening before Vladimir Putin was reelected president of Russia

Ibtisam and her brother Raed Imran had come to Ramallah two days ago, after they got a call from Muhammad from the Israeli prison where he was held, telling them that he would be among the prisoners to be released to the West Bank. But when they arrived at the cultural centre on Monday, they were told that Muhammad was on the list, yes, but that he was among the more than 100 prisoners whom Israel had decided to exile from Palestine.

This is a novel of ideas, as well as, at its most elemental, a tangled love story. Desai's characters inhabit a complex post-modern, post-colonial world and, yet, her own sensibility as a novelist is playfully old-fashioned. Consider the contrivance Desai brazenly concocts to enable a central moment of this story: a chance meeting on an overnight train between the two title characters after they've each rejected their own families' formal attempts to arrange a marriage between them. Dickens, himself, might have blushed.

Cristosal, El Salvador's prominent human rights organization, has vacated the country due to increasing harassment and legal threats from President Nayib Bukele's government.

BACK artfully blends personal accounts of Syrian returnees with haunting visuals, revealing how deeply ingrained political trauma manifests in the subconscious minds of exiled individuals.