#cultural-backlash

#cultural-backlash

"I think that stealing from a big box store-I'll just state my platform-it's neither very significant as a moral wrong, nor is it significant in any way as protest or direct action."

"Life was pretty good in those days, he says, at least if you lived in one of the lands around the Mediterranean and Near East that constituted what he calls the 'ancient G8.'"

Watching men revel in degrading women and manipulating young men is disturbing, but our cultural obsession with high-profile influencers distracts from a deeper global problem of misogyny.

On the morning of the Unite the Right rally, I lumbered down the staircase of a Catskills Airbnb rented for a bachelor party to learn that only hours before, a gang of white nationalists stormed the University of Virginia campus wielding Tiki torches and chanting, 'Jews will not replace us.'

In 1979 the revolution happened, and now Tehran looks like something from an earlier century. Sometimes I think that our whole world has become kind of like that-going backwards in time.

Anna Holmes defines 'hype aversion' as a reflex against being told what to like, suggesting that popularity can create pressure rather than signal quality. This feeling can lead to a deliberate choice to resist mainstream culture.

LaBeouf hasn't anchored a box-office hit in more than a decade, and little of his 2020s art-house work has drawn buzz. The most notable thing he's starred in lately was a clip of him on a podcaster's couch, hunched and diminished, talking about his fear of gay people.

A record high of adults—80 percent—believes that Americans are divided on the most important values. National pride, trust in government, and confidence in institutions are near record lows. The Princeton University historian Sean Wilentz says the United States hasn't been this divided since the Civil War. Nearly half of Americans think another civil war is likely in their lifetime.

Born in Lancashire, Matthew Kelly, 75, studied drama at Manchester Polytechnic and acted at the Liverpool Everyman. He moved into TV, presenting Game for a Laugh in the 80s, You Bet! in the 90s and Stars in their Eyes from 1993 to 2004. Having returned to the stage, he received an Olivier award in 2004 for his role in Of Mice and Men in London's West End.

As authoritarianism accelerates - as government-sanctioned violence becomes more overt in immigration enforcement, in policing, in the open deployment of federal force against civilians, and in the steady erosion of civil rights - people are scrambling for reference points. But instead of reckoning with the long and violent architecture of U.S. history, much of this searching collapses into racialized tropes and xenophobic reassurance: This isn't Afghanistan. This isn't Iran or China. This is America. We have rights. This is a democracy. This isn't who we are.

the rotting carcass of the MAGA era, its shrieking insecurities, its pathetic resentments, its festering hatreds, and that distinct, metallic tang of panic rising in the back of its throat behind the soft wattle.

Like us, you may feel paralyzed in the face of the relentless images of violence we see every day. Suffering children, military occupations, the devastated neighborhoods, the cries of parents mourning their dead-these scenes haunt us. Whether it is happening in Palestine or Minneapolis, we are witnesses to suffering, and that witnessing takes a heavy toll. Clearly, the devastating situations in the West Bank and Gaza and in Minneapolis differ

In the autumn of 2022, Max and I walked up the iconic steps of the Metropolitan Museum of Art in New York City to visit Chroma: Ancient Sculpture in Color. As the young son of a professional classicist, and a burgeoning one himself, my museum partner already knew about the ancient history of painted statues when we began to explore the galleries. Max's knowledge seemed the exception rather than the rule.