Seeming to belong at once to a world of science fiction and to a primordial past, the pavilion could well serve as the film set for a post-apocalyptic drama. And yet it also invites association with the use of ruins and grottoes in the eighteenth century English landscape garden. What is most captivating about Radic's heroically peculiar pavilion is the way that it seems to stand out of time.
The central building would be a true sphere - 271 meters wide and 312 meters tall - making it the largest and tallest of its kind anywhere in the world. For context, Las Vegas' Sphere, itself a marvel of engineering, measures 157 meters across and rises just 112 meters. Moon isn't playing in the same league; it's playing a different sport entirely.
Like the chambered nautilus, its shell was a logarithmic spiral. A wall of rough sandstone and aquamarine glass cullet twisted up fifty feet to an oil-drill-stem mast from which a floating roof was hung by the stainless-steel struts of World War II biplanes. You slid in with the humid air from the ravine outside to stroll a terraced garden of pools and plants, over which suspended and carpeted pods for living and sleeping drifted like clouds.
With the death of Frank Gehry at 96, the design world is revisiting the buildings that reshaped cities, reoriented cultural institutions, and redefined what architecture could look and feel. Across more than six decades, Gehry created works that fused sculptural ambition with technical innovation, pushing the boundaries of form, material, and emotion. Below, a closer look at a selection of the projects that most clearly express his influence.
The installation features a sky blue kite-like canopy made from Heliotex, a material that combines recycled polyester yarn woven with 150 organic photovoltaic solar cells. Think of it like wrapping a building in a smart, energy-generating skin that's as functional as it is beautiful. The pavilion spans 40 square meters with nearly 10 meters in height, housing 147 solar modules and an energy storage capacity of 3,000 watts.
Libraries used to be quiet, stuffy places where librarians shushed anyone who dared whisper. Not anymore. Today's most daring library designs are shattering every preconception about what these spaces should be, transforming them into vibrant community hubs that make knowledge feel electric and alive. From buildings that literally look like open books to bamboo structures that breathe with their surroundings, these five libraries prove that architecture can be just as inspiring as the stories housed within.
Studio Gang's Populus hotel in Denver leads the charge. The building claims to be America's first carbon-positive hotel. It looks like a cluster of aspen trees sprouting from downtown concrete.
"The Modern Side Stack showcases the adaptability of shipping containers, demonstrating how they can be converted into modern, efficient homes that blend functionality with comfort."
