Tabitha Barber's curation in 'Now You See Us' suggests that women artists were not absent in art history, but have been hiding in plain sight.
The 'Now You See Us' exhibition serves as a clarion call against complacency, urging a more inclusive approach to art history that recognizes female contributions.
Susan Owens’ 'The Story of Drawing' reveals how drawing has historically been overlooked, and emphasizes the importance of revisiting its role in art history.
Hari Kunzru's 'Blue Ruin' compellingly critiques the contemporary art scene, illustrating the challenges faced by artists in navigating a complex, often hostile environment.
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