The article delves into the aftermath of a friendship group entangled in romantic betrayals, navigating choices of forgiveness, recrimination, suppression, or memory processing after marriages end.
It highlights how writers navigate the blurred lines between personal experiences and fiction, discussing the delicate balance between 'Write what you know' and 'Do no harm' in storytelling.
The narrative revolves around Andrew Ewell discussing his novel, 'Set for Life,' which draws parallels to his personal experiences of being a frustrated writer married to a more successful novelist within a creative writing environment.
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