Today's models are compact, increasingly affordable and capable of capturing sharp aerial photos and video with minimal effort. Whether you're curious about flying for the first time or looking to upgrade to a more advanced camera drone, the options available in 2026 are broader and more approachable than ever.Entry-level drones now offer features like GPS-assisted flight, return-to-home safety systems and automated shooting modes that take much of the stress out of learning to fly.
Fundamental to her work is an exploration, as a queer woman and as a documentarian photographer, of the nuanced, multifarious nature of identity, most prominently in LGBTQ+ communities, but also far beyond them. She has committed from her earliest mature images to the idea that, as she has phrased it, "Without representation, there is no visibility"-a belief that remains more vital than ever in the US and across the world in the 2020s.
For its 19th edition, the Sony World Photography Awards welcomed over 430,000 submissions for its Open competition from photographers in more than 200 countries and territories around the globe. Ten categories, ranging from portraiture to landscapes to travel, encompass the staggering breadth and beauty of nature and society captured throughout 2025. The contest has announced the category winners, including Robby Ogilvie 's vibrant composition of a vintage car in front of colorful buildings in the Bo-Kaap neighborhood in Cape Town, South Africa.
It is not often that you get to see a war photographer at work. Certainly not one who more or less defines our idea of the profession as it exists today, is widely considered to be its greatest practitioner and has been dead for more than 70 years. But as part of its new retrospective, the Museum of the Liberation of Paris has produced a remarkable candid film of Robert Capa on the job.
I grew up in New York. We were very, very poor. We were living in the basement of an apartment building in the South Bronx, and, because my stepfather was the superintendent, I would get up every morning and straighten up all the garbage. And then I would sweep the halls down, and I'd mop the halls down. We had no money to travel.
Dörte Eißfeldt's photography is grounded in the experience of seeing: a relational seeing that holds in view not only the self and the world, but also the photographic object itself, which can act as a vital intermediary between the two. Making us encounter gentler close-ups of a neck pressed into sheets of silver, nebulated, spectral hands and snowballs that seem to glow far beyond the print's surface, her largely self-taught photographic practice probes phenomenological questions of appearance, perception and form.
On a clear night I set up my telescope in the yard and let the mount hum along while the camera gathers light from something distant and patient. The workflow is a ritual. Focus by eye until the airy disk tightens. Shoot test frames and watch the histogram. Capture darks, flats, and bias frames so the quirks of the sensor can be cleaned away later. That discipline is not fussy.
Most of them are oddly charged, dramatically staged images meant to evoke dreams, nightmares, or fantasies. Many of the best-known photos from a series with children, published in 1972 as "The Dream Collector," could be frames from a David Lynch film. Much of the subsequent work Tress made was similarly theatrical but tended to involve homoerotic scenes. In one picture, a slim teen-ager reaches over tentatively, tenderly, to peel a bandage off another boy's bare thigh, a moment both touching and wonderfully matter-of-fact.
For my husband's 69th birthday, I asked his older sister to drive me to the neighborhoods where they grew up. I photographed the grocery store, his schools, the churches he attended, the vacant lot where his childhood home once stood. I printed the photos and placed them in an album. My husband, a verbose storyteller, especially about his life growing up as one of nine siblings, was very surprised. Nola Nolen 74, Harmony, Pa.
Standing in the Bispebjerg district of Copenhagen, Grundtvigs Kirke, one of the most singular works of 20th-century ecclesiastical architecture, is the protagonist of David Altrath's latest photography series. Designed by Peder Vilhelm Jensen-Klint and completed in 1940, the church translates the vertical ambition of Gothic architecture into an austere expressionist language built entirely from yellow Danish brick. Structure, surface, and ornament collapse into a single architectural system, where material discipline replaces decoration.
How-To Survive A Deadly Global Virus: Visual Guide Wth A Style & Twist Bond Girl Halle Berry Introduces Her First 5th Avenue Shoe Collection Artist Jung Lee Constructed A Series Of Neon Light Sculptures That Were Installed Against Cinematic Landscapes Amazing Black And White Photos Capture SoCal's Skate, Beach & Punk Scenes From Between The Late 1960s And Early 1980s Artist Studies Psychoanalysis And Visualize The States Of The Subconscious In Her Bizarre Sculptures Sonja Hinrichsen's Expansive Swirling Snow Drawing Atop A Frozen Lake Artist Carlos Vielba Seco Transforms Ethereal Ideas into Tangible 3D Masterpieces
The heavy brick mass of the early twentieth century warehouse stands steady at the corner, its facades still marked by decorative lintels and deep-set openings. Above, two added floors sit within a perforated aluminum veil that glows softly at dusk. The metal skin reads as a light canopy hovering over the old masonry, a precise intervention that contrasts the museum's new public life with its working past. See designboom's previous coverage here.
As a child, Ed Alcock listened to the story of his great uncle Kendon's death at the age of 17. It happened at the bottom of the mine, his mother, Sheila, told him one day. He had been working there since he left school. A section of the gallery sank and a heavy crane fell on him, crushing him and causing head injuries. They took his body out of the mine, but he never regained consciousness.
Presented by the Luma Foundation in Engadin, Switzerland, as part of Elevation 1049, STRIP TOWER (962) brings Gerhard Richter's long-running investigations into the Alpine landscape, extending his practice beyond the canvas and into three-dimensional space. On view until the spring of 2029, the work draws from the methodology of his Strip Paintings, where a single painted gesture is subjected to successive acts of photographing, scanning, digital slicing, and stretching.
Cotillion dances have European origins, but in the poem, Black New Yorkers perform classic dances such as waltzes and quadrilles and are dressed in fine outfits. These Black debutante balls go back a long way, and are one example of African Americans trying to create a better life. Today, they continue to introduce young women into society and retain a strong emphasis on the participants' education.
Bob Krasner has spent years training his eye to resist the obvious. While the city screams for attention, his photography work insists on quiet. The result is a photographic practice rooted in restraint, patience, and a near-radical commitment to looking slowly. His latest body of work, unveiled last week and now on view through Feb. 22 at Ki Smith Gallery on the Lower East Side, feels like a controlled exhale inside one of the most visually aggressive environments on earth.
Counting Ships is a photography series by Pierfrancesco Celada that examines proximity, movement, and scale within a maritime landscape. The project captures a busy ferry route connecting an island to one of the most densely populated regions nearby. The crossing takes approximately 25 minutes and passes through one of the world's most active maritime trade corridors, where more than two hundred cargo ships transit daily.
Last weekend, New York got a snowstorm like we haven't seen in years. Most people stayed inside, spending the days with hot chocolate and movies, but a few brave souls ventured out into the crisp air to see the city empty and untouched. I walked three whole blocks to my third-closest bodega for chicken over rice, but motorcycle YouTuber TripleShift went one step further: He outfitted the tires of his electric Stark Varg dirt bike with studs, and went ripping through Brooklyn and Manhattan.
The National Portrait Gallery is Jared Soares's favorite museum. It's just a few Metro stops away from the photographer's home in Northeast DC, and he says he's visited dozens of times to admire the works from his favorite artists. But Soares's next visit will be different. The second floor of the gallery now features Soares's award-winning photograph, Misidentified by Artificial Intelligence: Alonzo and Carronne (2023).
