This update includes the next iteration of the app's much-discussed Process Zero mode, adding HDR and ProRAW support to what is intended to be a hands-off, anti-computational image processing method. There's a new black-and-white film simulation that also supports HDR, and more new "Looks" to come. This is my semi-regular cue to remind you that HDR is not a dirty word. We tend to associate the term with an over-processed look when high-contrast scenes are translated to an SDR display.
As we traverse an era dominated by algorithms and driven by the impulse for efficiency, we increasingly sacrifice our ability to feel. In this "age of emotional poverty," highlighted by philosopher Byung-Chul Han, our emotional landscapes grow flatter, our pains diluted, and genuine intimacy replaced with a sterile digital façade. However, in Gulu's evocative imagery, the body emerges as a resilient space of resistance, pushing back against a world that demands we conform to neat, predictable narratives.
Technology must serve the human person, not replace it,' Pope Leo said, decreeing that 'preserving human faces and voices' means preserving 'God's imprint on each human being,' which is an 'indelible reflection of God's love.' But chatbots simulate these faces and voices, oftentimes making it difficult for users to tell whether they engaging with a bot or a real person.
Adobe has improved the tools for Generative Fill, Generative Expand and Remove that are powered by its Firefly generative AI platform. Using these tools for image editing should now produce results in 2K resolution with fewer artifacts and increased detail all while delivering better matches for the provided prompts.
Myriam Jacob-Allard appears through a heavy door and greets us with an easy warmth, scooping us up and welcoming us into her world. We are immediately absorbed by an unexpected color-drenched stairwell. Every surface is saturated in a dense, glowing yellow that reads unmistakably as egg yolk, insulating us from the outside in as we make our ascent. We turn into a long hallway whose fragrant freshly waxed floor catches the light, reflecting it back upward so that the corridor seems to glow beneath our feet.
Photographer Henri Cartier-Bresson (19082004) travelled all over the world and extensively throughout Europe. After producing numerous series of photographs for magazines in Germany, Spain, Italy, Greece, Switzerland and France, Cartier-Bresson wanted to bring them together in a book and in 1955, he published Les Europeens (The Europeans). This book of photographs aims to show what makes each of the peoples of this geographical area unique while highlighting their similarities. This exhibition brings together some of the most important photographs from the book.
The photos, in Ollie's words, lean towards "quiet symmetry". The photo Man on Bike, a particuarly pleasing shot which shows a figure stationary, seemingly pausing to take a call, is often mistaken as staged. According to Ollie, it's "entirely serendipitous". He continues: "I was wandering through Ikoyi when I saw him stop, completely unaware of me, and everything just aligned - the colours, the posture, the stillness."
Printed in both color and black and white, images of dancers and friends took the form of abstract portraits, movement series, and pseudo-stop-motion, featuring local artists including Sophia Ahmed, Muffie Delgado-Connelly, Kenny Frechette, Takahuro Yamamoto, Emily Jones, Allie Hankins, performances by Lu Yim, and others. Layered, dark, and moody self-portraits of Krafcik from 2025 also plastered a dark-painted wall opposite some of the other images.
In a stunning new photobook, La Isla, Argentinian photographer Matu Buiatti invites us into a profound exploration of intimacy, trust, and the human body, framed through the lens of analogue photography. This 18-month project transcends mere image-making; it is a beautifully crafted dialogue about human connection, where the photograph emerges not as a starting point but as the culmination of shared experiences.
Davidson, a professional photographer and owner of Glasgow-based Studio Snap, is celebrating his strongest trading year to date, with revenues up more than 70 per cent in 2025. The surge follows his memorable appearance on series two of The Traitors, which turned him into a familiar face for millions of viewers, and, unexpectedly, a powerful brand amplifier for his business.
Exploring Brazil's capital city on his motorbike is a pleasure when the weather is like this, he says, and his canine cavalcade had effectively invited themselves along for the ride. The first member of our pack, Filo, isn't in the photo, but she was there that day, de Souza says. Filo started riding with me in a backpack years ago, then around the time she turned one, I rescued Teo.
In 2025, the One Exposure Awards shifted to pure black‑and‑white, creating a nature photography showcase that feels strikingly different. The absence of color amplifies every shadow, texture, and emotional beat in each winning image. Across categories ranging from wildlife to fine‑art experimentation, the contest highlighted nature in its most elemental form. Lidija Novković earned 1st Place with "Začudno," a low‑angle giraffe portrait that transforms the familiar into something mythic.
At next month's event, you can expect talks from Liang-Jung Chen, a London-based artist interested in material culture as they work across several mediums. After going viral with their UK indefinite leave to remain project, which was a thrilling piece of screen-recorded performance art within Microsoft Excel, Liang-Jung will be joining the stage to elaborate on how that project came about whilst introducing their versatile practice.
A look at how economic globalization has left its mark on former industrial cities and struggling small towns across America by photographer Matthew Ludak. Ludak received his BA from Drew University and MFA from the University of Wisconsin-Madison. His practice explores contemporary social issues, including classism, de-industrialization, environmentalism, and structural racism in the United States. He currently resides in Philadelphia, Pennsylvania, where he continues to explore the intersections of art and social justice through his photography and non profit work.
Forget the film camera revival that never quite materialized at scale. The defining hardware trend of 2026 will be the continued adoption of C2PA (Content Credentials) signing in camera bodies beyond the flagship tier. Leica and Nikon have been early movers here, with Sony engaged in the broader Content Credentials ecosystem. This year, we are likely to see signing capabilities expand from flagship and select professional models into higher-volume lines as implementation costs fall and workflow integration matures.
For her formative 1985 work The Ballad of Sexual Dependency, Nan Goldin eschewed the traditions of exhibiting photography by compiling her images the number of which ran close to 700 into a slideshow, and screening it alongside a soundtrack featuring, among others, Yoko Ono, Maria Callas and Dionne Warwick. The 45-minute long show has since been screened in galleries and museums all over the world, and is lauded for its searing candour and highly personal subject matter the series comprises photographs taken by Goldin of her friends, family and burgeoning subcultures in cities like Boston, New York and Berlin.
After working as an editor in New York City for several years, my then-wife got offered a job in Singapore. It was the golden opportunity we both wanted. What we thought would be a posting of just a few years turned into decades. We divorced in 2011, but both stayed in Singapore, building our careers and lives. Singapore was the jolt my career needed I'd always wanted to be a photojournalist, so in 2000 I decided to pursue it full-time.
Perhaps the most anticipated new camera of 2025, Sony's new A7V mirrorless camera just squeaked onto the scene before the end of the year. The A7 series is Sony's all-around camera. It lacks the resolution of the A7R cameras and the video focus of the A7S cameras, but in some ways offering enough of the best of those to make the plain A7 the best choice for most people.
"Wake Up, Beauty!": The Superb Digital Concept & Fantasy Art Works of Tony Sart "Stranger Toys": Illustrator Re-Imagines The Characters Of Stranger Things As Adorable Figurines 'South Park' Irks White House, Scientology With Trolling Mobile Billboards Artist Creates An Installation That Takes From The Rich To Give To The Poor Stunning Digital Female Portraits By Irakli Nadar Machinery In Black And White: Cool Rapid Sketches By Paul Heaston '25 Things I've Learned'
The exhibit, which runs Jan.15-March 14 at the De Anza College museum, is presented in conjunction with Silicon Valley Reads and its 2026 theme, "Bridges to Belonging." Self, family and neighborhood portraits reflect South Bay Area faces and stories. Marie Cameron's "People in My Neighborhood" series grew from her desire to meet and celebrate essential workers and creatives in her hometown of Los Gatos. The portraits include her neighbor's caregiver, grocery store and café workers, an artist, an author and a small business owner.
Sophia wasn't particularly talkative that evening. Earlier that day, she'd been onstage at the conference I was attending and had been teased for a gesture that looked as though she were flipping off the audience. Now she was in the hotel lobby, in a black gown, holding court. She stepped in front of a bright-orange wall. I had brought an 85-mm. portrait lens, the kind that flatters human lineaments.
Nigerian American photographer Mikael Owunna's life-size, shimmering images of ancient deities in outer space set the tone for "UNBOUND: Art, Blackness and the Universe," MoAD's stellar exploration of the African diaspora in the eternal and the infinite. "UNBOUND," which runs through Aug. 16, 2026, is MoAD curatorial chief Key Jo Lee's most ambitious exhibition to date. Over three floors, she presents an African diaspora that is "unbound" from earthly and chronological conceptions of diaspora.
It makes sense, right? Every day, we're told how shitty our attention spans are because of our phones. We can't get through 90-minute movies anymore without a quick scroll. We can't just sit down and read a book off our shelf. We have decision fatigue trying to pick a recipe to cook instead of just looking in a cookbook. So turning to more analog things for the betterment of our bodies and minds makes total sense.
Fujifilm just revealed the Instax mini Evo Cinema camera, which looks suspiciously like a vintage Super 8. More specifically, it was designed to mimic the Single-8 from 1965, which was a rival unit to the Super 8. Fujifilm's latest device captures video, just like its retro inspiration. However, this is an Instax and the line has primarily been dedicated to snapping and printing out still images on the fly. The Evo Cinema can still do that, albeit in a slightly different way.
Raschka once again chronicles the lives of his own sons, only this time traversing the labyrinth of puberty and brotherhood that marks their transition to adulthood. "Tween" explores this intense period in sixty black and white photographs taken between 2020 and 2023-years that coincide with the COVID-19 pandemic. In this way, not only are the young men struggling within themselves, they are also grappling with the challenges we were all facing during those years:
I've been on lots of cruises, but my sailing to Alaska on the Disney Wonder really stands out. From the exciting excursions to the stunning views from the boat, the trip was unforgettable. I'd absolutely take another Alaskan cruise in the future. As a frequent traveler, I've sailed with several different cruise lines on itineraries throughout the Caribbean, Northern Europe, and the Mediterranean. But out of everywhere I've been, my favorite vacation was an eight-night sailing on board the Disney Wonder to Alaska.
In 2025, we're trying to get to a minimum of 2,000 subscribers as part of our membership program! Capture One is discounted for members! The New Phoblographer membership is now based on our website. Yes, we moved away from the app. It was a bittersweet move - but what we're offering you now is even better. Don't worry - if you had a membership, we won't be leaving you behind. It's all based on the website.
Where the book is really born was in the quiet, uncanny connections between images that captured "the ruin and feeling of uncertainty" growing up in the "third world" they grew up in, which they found to be genetically made up of abandoned places, fragile objects, industrial leftovers, traces of ecological collapse and moments where nature and human structures collided. In Uncertainties, the collision of imagery creates a menacing tone throughout:
