Sweeping SAAM exhibit explores race and power through sculpture
Briefly

Hiram Powers's "The Greek Slave," a pioneering sculpture from 1843, presents a narrative of an enslaved woman during a significant historical event, merging art with social commentary.
Roberto Lugo's 2022 work, "DNA Study Revisited," reflects contemporary identity and cultural intersection, representing the artist's mixed heritage through innovative and colorful design.
Read at Washington Post
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