"It's a very specific space that we're working with, so the objects have been made very much in dialogue with it - and I've never really worked that way before. It's been quite moving in a way, and a really generative experience."
"There's this incredible sheen and depth in the almost pale pink of this very special place, but then you can't drill into the walls and you can't drill into the floor."
"We cast these plaster plinths because things have to be freestanding and away from the wall, but they work really well... there's something wonderful about the solidity of these and the way in which they interact with the space."
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