Srijon Chowdhury's exhibition 'Tapestry' seeks to transport viewers into immersive dreamscapes, blending daily life elements with the metaphysical and mythological.
At the center of the exhibition, a welded steel circular fence mirrors ancestral architecture while incorporating archaic sigils, representing the dual nature of humanity through Blake's poetry.
The paintings surrounding the central structure act as immersive landscapes, reflecting Chowdhury’s exploration of subjective experiences through art, philosophy, and ecology.
Chowdhury’s work illustrates the intersection of various disciplines, translating personal and cultural narratives into vibrant visual experiences that challenge viewers' perceptions.
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