With its roots in the conceptual and immersive experiments of the Dadaists and Surrealists in the early 20th century, installation art emerged as its own genre in the late 1950s. The approach gained momentum during the next couple of decades, usually revolving around site-specific responses to interior spaces. Taking many forms, installations sometimes incorporate light, sound, projections, performances, and participatory or immersive elements.
Instead of home repair, this Afrofuturist exhibition explores the concept of reparations, imagining what a "transformed world actually looks like and feels like." The exhibition, titled " Futures of Repair," has brought together six artists to create an entire world set in 2165-about 125 years after theoretical global reparatory actions transformed society. The result? A powerful space filled with interactive installations, sound sculptures, meditation space and healing.
The closing weekend of Neo Kaos Garden at Ibiza's colossal new venue, [UNVRS], was less a party and more a vibrant, collective odyssey into a world where art, music, and technology violently and joyously collided. The event, a partnership between the legendary party organisers elrow and the visionary artist Okuda San Miguel, was described by Okuda as a "digital circus," a 2.0 version of his psychedelic universe brought to life with geometric creatures, moving stages, and a 360-degree immersive spectacle.