Groebel’s work challenges the viewer's understanding of past art by collapsing time through the use of anachronistic methods that juxtapose vintage photographs with contemporary mediums.
The peculiarity of Groebel’s work lies in the misalignment of its content and form, inviting a fresh reflection on familiar visual tropes through a skilled but careless execution.
The sepia-toned near-monochromes reveal layers of the artist’s technique, where the amateurish appearance serves to create a complex dialogue between past and present aesthetics.
Through this exhibition, Groebel prompts us to reconsider the logic of restoration and the way contemporary technologies engage with historic artistic methods.
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