#toby-byron

#toby-byron

Publicly traded companies are by legal definition and requirement completely amoral. They want only one thing, to raise their stock price, and the public good and common decency are just obstacles to be overcome or spun in that quest.

The film's title, an obvious reference to profanity, also alludes to an incident dramatized later on, when John, on trial after inadvertently triggering a pub brawl, must give sworn testimony in court.

Anna's journey in 'You, Me & Tuscany' illustrates the complexities of personal loss and the lengths one might go to find connection and belonging, even if it means deception.

"It's true I spent most of my life being angry at him. The older I get, the more I feel like I never even knew him at all. My image of him now, I know, falls flat compared to reality."

Cut & Paste Pictures is developing a feature-length documentary chronicling the lifelong friendship between Rise Against guitarist Zach Blair and wrestler Hassan 'MVP' Assad, who will also front an unscripted series about life after prison.

Val Kilmer was cast in 'As Deep As the Grave' before his death, with an AI voice created from his old recordings and a visual deepfake developed in collaboration with his estate.

Guillermo del Toro's Frankenstein earned nine nominations ahead of the 98th Academy Awards, but he did not win the Best Picture award despite the film's success in other categories.

Cregger's first film sold itself under the radar as a familiar thriller about a double-booking at an Airbnb, only to win critics over with a descent into a much stranger nightmare.

Bunnylovr, which hit theaters April 10, 2026 via Utopia, is the kind of film that stays with you in the same slow, creeping way its protagonist Rebecca drifts through her own life.

The Drama is a more localized version of the same thing: If you do something bad (or almost do something bad, or do something bad out of your own control), how mad should people be at you - really?

"Cinematic Immunity" offers a workers'-eye view of Hollywood on the Hudson, revealing the intricate dynamics of filmmaking in New York City from 1954 to 9/11.

Davidson, a professional photographer and owner of Glasgow-based Studio Snap, is celebrating his strongest trading year to date, with revenues up more than 70 per cent in 2025. The surge follows his memorable appearance on series two of The Traitors, which turned him into a familiar face for millions of viewers, and, unexpectedly, a powerful brand amplifier for his business.

Jordan Lage is an award-winning actor, writer, director and founding member of the Atlantic Theater Company, which celebrates its 41st anniversary this year. He studied acting at New York University under the tutelage of playwright David Mamet and actor William H. Macy and then taught acting and playwriting at the Atlantic Theater Acting School for nearly 30 years. Best known for his work performing the plays of David Mamet's, he

Dad Gets Tattoo So His 6-Year-Old Daughter Wouldn't Feel Different 21 Watercolors That Show How The Sun And Shadows Change Cities The Designer Reveals His Suggestions for Redesigning Famous Brands Naive, Super: Lovely Paintings by Angela Smyth Creative Spontaneous Sketches of Faces and Figures by Pawe Ponichtera Logo Artists Reinterpreted 38 Of The Most Recognizable Logos With A Single Unbroken Line Artist Paints While Under The Influence Of 20 Different Drugs The Uncannily Realistic Landscapes Of Carolyn H. Edlund

George Lucas should have died. It was 1962; the 17-year-old had just crashed his yellow Autobianchi convertible into a walnut tree, in Modesto, California. The car rolled, bounced and came to rest - it was "beyond mangled, flipped upside down and twisted like a crushed Coke can against the tree". When the teenager woke in hospital two weeks later, his heart having nearly stopped, he had a new philosophy: "Maybe there's a reason I survived this accident that nobody should have survived."

When a movie ends, Jim Jarmusch almost always gets sick. Which illness varies it could be a cold, the flu, or worse. The phenomenon has taken place for years. In his filmography, the director tends to post more questions than answers. In contrast, when it comes to his health, he has arrived at a clear conclusion: It's fucking hard to make a movie. And that's equally true if it's good or bad. It requires a lot of resistance and concentration.

I was a struggling filmmaker. I was trying to find myself and it wasn't happening. I was ready to give up on filmmaking as I was about to turn 30. I didn't feel like I could do this to myself, my family and friends any longer. I was living in South Austin making the minimum amount of money, eating peanut butter and jelly sandwiches, and making bad art. But then Sundance gave me my career with this $3 short film that we submitted to the festival on a lark.

Filmmaker Simplice Ganou, from Burkina Faso, spends his time documenting people and relationships, but when he travels to Winterthur, Switzerland, he faces a new challenge: nobody wants to talk to him.

In fact, I've made a conscious habit of seeking out successful individuals so I can learn from their experiences. But the man often nicknamed the "King of the Hollywood Blockbuster" continues to elude me. And yet, despite never meeting face to face, Spielberg taught me one of the most important lessons of my entire career. It's a lesson I've learned through engaging with his work.

It's been 40 years since Richard Linklater founded the Austin Film Society, beginning his crusade to make scrappy, personal, romantic and boisterous cinema. It's fitting for a director who first broke out in the 1990s "Indiewood" boom that his latest film, Nouvelle Vague, is an origin story of cinema's enfant terrible par excellence, Jean-Luc Godard, mounting his iconic debut film Breathless. As Linklater's first non-English film, Nouvelle Vague feels like a film fanatic has staged and animated decades' worth of behind-the-scenes anecdotes - genuine and apocryphal alike - to show a turning point for cinema as the Texan director imagines it: lively and collaborative, tetchy and confounding, an amusing slew of rules broken and manifesto points declared.

A quarter-century later, it's safe to say that those days have come to an end. Not only does the streaming-only Netflix of the twenty-twenties no longer transmit movies on DVD through the mail (a service its younger users have trouble even imagining), it ranks approximately nowhere as a preferred cinephile destination. That has to do with a selection much diminished since the DVD days

Sam Raimi is one of Hollywood's finest purveyors of junk. I say this with love and reverence, and with full acknowledgment that he's the man behind such masterpieces as Evil Dead II and A Simple Plan. But the director has spent decades digging for gold amid pulpier genres, turning out oddball horror, thriller, and comic-book movies. As his career went on, Raimi graduated to making blockbuster versions of junk, including the first Spider-Man trilogy and, most recently, a Doctor Strange sequel for Marvel.

"The film was shot in Ultra Panavision 70 with lenses that yielded an aspect ratio of 2.76 to 1, and it was breathtaking," Scorsese said. "But it wasn't just the size of the image, it was the imprint of the man behind the camera who knew how to fill that frame, how to compose it. And composer seems like the right word to describe George Stevens and the extraordinary level of artistry he reached at that point in his life and career."