"[The project] has finally restored the perception of the monument's original size and floor level," architect Stefano Boeri said in a statement. "It also offers the public the opportunity to approach its walls and imagine the rhythm and sequence of the ambulatories and arches, now lost. It's a respectful and useful project that completes research carried out by the archaeologists of the Colosseum Archaeological Park."
"It was in really bad shape, but I sensed its potential," he says. When his future client, a Swiss teacher who fell in love with the Italian Riviera, walked into his office, even she was skeptical. "Many people were," he continues. "It was an abandoned and damp property, but I convinced her. Now she's happy."
"We are thrilled to bring this immersive experience to New Jersey. Whether you're an art-lover, history enthusiast, or someone encountering this masterpiece for the first time, this exhibition allows you to experience Michelangelo's genius in an intimate and unforgettable way."
The drinks scene here has undergone something of a Renaissance, with the number and variety of options across the city blossoming. Of course, there are still the old school stalwarts that adhere to the traditional Italian idea of a bar-envision the quintessential all-day café-bar where you might stand at the counter for a cappuccino in the morning, grab a quick panino at lunchtime, or linger over an aperitivo after work.
The intervention 'restored the perception of the monument's original scale and pavement level,' while enabling visitors to approach the structure more directly and understand the sequence of the ambulatory and its arches. This recalibration of levels, based on archaeological findings and geometric studies, also enabled the reorganization of the stormwater drainage system, integrating surface slopes and transitions into the paving design while maintaining coherence with the monument's historical configuration.
At least that's the mood director Gianfranco Rosi evokes in his mesmerizing documentary Pompei: Below the Clouds, which won a Special Jury Prize at the Venice Film Festival last year and is finally being released theatrically in the U.S., ahead of a March 27 streaming premiere on Mubi. The apocalypse Rosi presents is not just the legendary one that destroyed the ancient Roman town of the film's title but an ongoing one that encompasses the calamities of our modern era as well as the rejuvenation that sometimes accompanies destruction.
Very rare to see this level of tailoring nowadays, even on the wealthy. Even when not attending major sporting events, the king's collars always hug his neck, his lapels are always well-proportioned, the lines of his coat always flow into his trousers, and his four-in-hand always has just the right asymmetry.
"Piano piano" is an old Italian saying that sounds nonsensical, but is actually full of wisdom, especially if you, like me, are finding yourself wishing away these frigid winter days and hoping spring and summer gets here fast. These days, I've found myself rushing from one thing to the next, frustrated at the smallest things, from post office lines to just missing my train. And I'm ready to make a change.
What makes this canopy special isn't just that it uses 3D printing technology, though that's certainly impressive. It's the way the designers thought about the entire system. Rather than simply throwing a roof over the tombs and calling it a day, they created what's essentially a climate-control system disguised as architecture. The canopy features a double-layer envelope that does way more than keep rain off ancient stone. Built into this roof are ventilation and air extraction components that actively regulate temperature and humidity.
Europe has never been short on spectacle. Yet beyond the headline cities and endlessly recycled itineraries lies a quieter, deeper continent; one that's best encountered through patience and a willingness to detour from the obvious itinerary. Our 7 wonders of Europe for 2026 in Europe are not places that beg for attention. Instead, they reward those prepared to explore more than a few miles from the nearest airport and linger a little longer than planned.
Seven were the strings of the lyre (unless there happened to be eight or nine), seven were the gates of Thebes, and seven were the "wandering stars" in the night sky (if you count the sun and moon). The identity of the wonders was less important than the length of their list, and indeed, additions and changes were proposed since the beginning.
One tenet of classical idealism is the idea that Roman and Greek statuary embodied an ideal of pure whiteness-a misconception modern sculptors perpetuated for hundreds of years by making busts and statues in polished white marble. But the truth is that both Greek statues and their Roman counterparts were originally brightly painted in riotous color.
Designed by the celebrated mannerist architect Giacomo Barozzi da Vignola, construction of the first sections of the late Renaissance Palazzo Borghese began in the 1560s. The Palazzo was among Vignola's many other important projects (he became the principal architect for St. Peter's Basilica following Michelangelo's death). It was later expanded by Cardinal Camillo Borghese, who bought it in 1596 (in 1605, he was named Pope Paul V).
Titus Flavius Vespasianus was born in Falacrinae, a rural town northeast of Rome, on 17 November 9 CE. There was nothing in his lineage to suggest that he would one day rule as emperor. Indeed, his ancestors were commoners who did not achieve any kind of prominence until the era of the late Roman Republic, when they came into modest wealth.
Saint-Jorioz in Haute-Savoie will provide a springtime lift for your spirits. On the shore of Lake Annecy, it's a short bus ride from the city of Annecy, but less busy and with superior lake and mountain views. Hike to the surrounding peaks, towards the lesser-known Col de l'Arpettaz, or cycle on the excellent greenways. Relax by the cool blue alpine water. Behind you lies the underrated Les Bauges Unesco Geopark. The department only joined France in 1860, and has its own Italian-influenced regional cuisine.
Both of the cyst graves feature funerary markers reused as building material. One of them contains the partially preserved tombstone of Legio I Italica centurion Gaius Valerius Verecundus was engraved with a wreath of which only traces remain and an inscription that describes him as having been heavily pressed by fate.
Alexander Pope bought a villa next to the Thames in Twickenham in 1719 and, at some point shortly afterwards, decided to dig a grotto underneath the house. Atmospheric grottos were a popular folly for the rich to build, but while most are little more than small shallow spaces, Pope dug a long tunnel and two rooms deep under his house.
An monumental early Republican-era funerary complex has been discovered in a suburb of Rome. The excavation of the Via di Pietralata east of Rome also uncovered a stretch of an ancient road, a small cult building and two monumental basins dating back to the 3rd and 2nd centuries B.C. Remains from this early in the Republican era are scarce in the Eternal City, which make these finds very archaeologically significant.
The remains of a monumental hall belonging to a 4th-century episcopal palace have been discovered at Ostia Antica, Rome's ancient port town. The base of the structure is eight by 20 meters (ca. 26 by 65 feet) and the walls were an estimated eight meters high. This is an extraordinarily large space, and it was richly decorated with mosaic floors and marble panels.
The Neptune of Lyon, one of the largest and most important bronze statues from Roman Gaul, has arrived in Rome for a one-time guest starring appearance at the Giovanni Barracco Museum of Ancient Sculpture. The statue is in the permanent collection of the Lugdunum Musee et Theatres Romains in Lyon, and is being loaned to the sculpture museum as part of an extraordinary exchange of ancient works between the two cities.
While the bone was worn and poorly preserved, archaeologists managed to identify its origin by comparing it with modern elephant and mammoth bones. Despite there not being enough DNA to confirm the exact species, the researchers were able to carbon date a tiny sample of the bone. This places the elephant's death between the late fourth and early third centuries BC - right in the middle of the Second Punic War.
Two exceptionally rare and beautifully carved Mithraic altars found in Inveresk, East Lothian, Scotland, are going on display for the first time. They are not just the only Roman altars ever found in Scotland, but are among the finest examples of Roman sculpture in Roman Britain. They are also uniquely early in date, having been made in 140s A.D. during Antoninus Pius' reoccupation of southern Scotland, whereas most other archaeological materials related to the worship of Mithras in Britannia date to the 3rd century.
For the first time in nearly eight centuries, the general public was able to see the remains of one of the Catholic Church's best-known saints. The patron saint of Italy's remains have been resting in a stone sarcophagus for centuries. On Saturday, the coffin was ceremoniously transferred from the crypt to the lower church of the Basilica of St Francis of Assisi. The display will last one month and end on March 22.
Caligula (12-41 CE) was the third Roman emperor, who reigned from 37 to 41 CE. A member of the Julio-Claudian Dynasty, he came to power after the death of his great-uncle Tiberius. The ancient sources claim that he was initially a popular ruler, but, after only a few months, he gave in to his sadistic, depraved, and paranoid impulses and began ruling through terror. He was assassinated on 24 January 41 CE by disaffected members of the Praetorian Guard.