Said film was Welles's follow-up to Citizen Kane, and studio RKO infamously snipped over half an hour from Welles's cut of the film and altered the ending. The lost footage was subsequently destroyed; in a 2018 essay, Jonathan Lethem said of the version of Ambersons that exists, "how can it be that the themes of the film so profoundly conspire with the ache its ruination induces in the viewer?"