Pantozzi's premise remains intriguing throughout, even if we're not exactly rooting for Tim in any capacity. He's not always likable or charitable, and the way he treats his mother will put some viewers off. Still, Pantozzi builds the tension nicely and knows how to slowly reveal the nuts and bolts of the mystery at hand. Robertson is especially good as his poor mother, who only has the best intentions for her son and cannot wrap her head around his depression.
We knew it was Apple TV's next big bet in experimental sci-fi, a market the streamer had cornered with series like , Foundation, and For All Mankind. But unlike those series, the plot wasn't immediately obvious. You can describe the premise of something like very easily, but the only description for Pluribus described it as: "following the most miserable person on Earth and the one who must save the world from happiness." And the official trailer didn't reveal much else.
At the first opportunity, Sarah runs from him, but he tackles and points a gun at her before deciding to let her make her choice. She can either get back in the van or let herself be caught by "them," the people who intend to kill her. So, she gets back in the van. While she's at it, she might as well get an answer from Downey: Who is "they"?
Scotty Bristol, is a successful late-night host/miserable human being played by outgoing host of The Late Show and national treasure Stephen Colbert. Scotty is a real prince: He's nasty and ungracious to his staff, doesn't bother to prepare for interviews with his guests, and torments his writers by making sure they can see and hear him shredding their joke pitches.
"I'm convinced that by the end of this show the audience will have stared into the eyes of Jack the Ripper. The only people to have previously done so were his victims. This time, however, the audience in Romford will live to tell the tale."
Wildlife officials in Florida are perplexed by the discovery of a headless and tailless alligator, prompting an investigation into the unusual circumstances surrounding the carcass.
"All my books tend to do that. I've never written a straight-up mystery or a straight-up thriller ever, and they all have very strong multigenerational, multiethnic family-life drama."