#dreampop

#dreampop

"I was going to produce Fear of Men and instead we made something totally different I think." says Cox. "True collaboration which is my preferred way to work on music". What began as an Italo disco experiment evolved into a goth club anthem, charged and restless. It captures the push and pull of Weiss's themes - devotion as both destruction and release.

Almost all of Hatchie's music could slot frictionlessly into a coming-of-age film. Her songs, mostly, are misty-eyed ruminations on puppy love and its ensuing devastation; they yearn for a redamancy that feels both fated and vexingly out of reach. You can imagine Harriette Pilbeam's millefeuille harmonies soundtracking a high school prom dappled with a disco ball's refractive glimmer, or picture her fleecy guitars over a montage of light teenage debauchery.