#cultural-reclamation

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fromwww.theguardian.com
1 day ago

A sign of who I am, right here on my hands': meet the artists behind the new-school henna boom

The night before Eid, plastic chairs line the pavements of busy British high streets from London to Bradford. Women sit elbow-to-elbow beneath shopfronts, hands outstretched as artists swirl cones of henna into intricate curls. For 5, you can walk away with both palms blooming. Once confined to weddings and living rooms, this centuries-old ritual has spilled out into public spaces and today, it's being reimagined entirely.
Arts
fromAnOther
1 month ago

Luar's Extravagant Expression of Resistance

I love the fact Raul Lopez trucks a few parlour palms into whichever venue he decides to show his Luar wares. It's like a piss-take on a salon setting, a nod and a wink to tropes of fanciness which, like so many other received notions and accepted ideas, Lopez seeks to gleefully invert. Why can't feathers not only smother a dress, but sprout from cuticles and eyelashes? And for all genders alike, no constraints, no boundaries.
Fashion & style
US politics
fromwww.mediaite.com
3 months ago

The Award For Worst Idea Ever Made on Cable News Goes ToGreg Gutfeld

Gutfeld suggested conservatives should reclaim the term Nazi like Black Americans reclaimed the n-word, trivializing a serious ideology.
NYC music
fromNew York Post
5 months ago

Beyonce's 'Cowboy Carter' Tour has city folks going country at MetLife Stadium: concert review

Beyoncé reclaims country music, merging her identity and artistry in 'Cowboy Carter' while breaking genre barriers during her tour.
Golden State Warriors
fromstupidDOPE | Est. 2008
5 months ago

Jason Momoa Brings Hawaiian History to Life in Apple TV+ Series Chief of War | stupidDOPE | Est. 2008

Apple TV+ is launching a culturally significant series, Chief of War, highlighting Hawaii's unification from an indigenous perspective.
fromwww.npr.org
6 months ago

Rhiannon Giddens' new music festival celebrates Black music, art, culture in N.C.

I loved the idea that Biscuits & Banjos unapologetically centered Black people, and I wanted to document how we were experiencing this invitation to reclaim and take up space here.
Arts
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