#art-restoration

#art-restoration

Lloyd Haddad and Keith Wicker emphasize the importance of preservation framing, stating, "When we started in the framing industry in 2006, the idea of archival and conservation framing was still fairly new..."

"A lot of people say that the varnish should never be removed, that that's a patina that is on the surface of the painting and that it adds to the painting's quality: it makes the painting look better, it makes it look more serious," says Baumgartner.

The works, most of which are preparatory studies that allowed the Northern Renaissance painter to experiment with light and space, have been placed in a dedicated gallery, with a lighting system that turns on only when a visitor walks in.

Greenwich Council's commitment to restoring and relocating William Mitchell's mural highlights the importance of preserving public art for educational purposes and community engagement.

The painting sustained superficial damage and scratches are visible in the unvarnished paint layer in the lower part of the painting.

The meticulous restoration of Tintoretto's 'Crucifixion' has revealed the brilliance of colors and light contrasts, making it fully visible after two years.