#acoustic-roots

#acoustic-roots

The first weeks were a roller coaster of pleasure and perplexity. Touching the strings, my fingers started to remember things that I had long forgotten.

Fia Backström describes her experience of West Virginia as akin to being called by aliens, framing the region in a way that echoes a long history of it being seen as strange and backward.

The growing Aadam Jacobs Collection is an internet treasure trove for music lovers, especially for fans of indie and punk rock during the 1980s through the early 2000s.

Indigenous communities have seen dramatic changes, from rescinding land-management policies that were more inclusive of Indigenous knowledge to reducing $1.5 billion in climate funding for tribal initiatives.

Dylan's choice of Patreon over Substack is puzzling, as many major artists have opted for the latter to connect with fans and share their thoughts.

Gangstagrass occupies a lane that sounds unlikely on paper and surprisingly natural in practice. The collective blends bluegrass instrumentation with hip-hop rhythms, pairing banjo rolls and fiddle runs with sharp lyricism and boom-bap backbone.

Volti and Left Coast meet in a bold and dramatic new work by Chris Castro for storyteller and musicians, which delves into the ancient and universal human explanations for our beginnings. The human relationship to our environment forms a through-line from romantic to experimental musical sensibilities.

It makes me feel proud, simply because of the specific time we're in right now. It definitely takes a lot of courage for kids my age to represent their culture. Anthony Benitez, an 18-year-old violin student born in the United States to Mexican immigrants, expressed how the academy provides a meaningful outlet for cultural expression amid punitive immigration enforcement affecting Latino and immigrant families across the country.

If you were getting pot in the late '70s or early '80s in this part of the country, there's a good chance it may have been coming from these guys. You've got these guys who served decades in prison for marijuana, and now they're getting out into a world where it's legal everywhere.

In frightening times, it makes a huge difference not to feel alone. Creating art with others in community enhances agency and strengthens self. Creativity requires an open heart; love enhances hope and diminishes fear.

R&B in the 21st century has been in a constant state of flux, tugged between safe traditionalism and blurry attempts at progression. For the last decade-plus that "progression" has seen R&B music become more indebted to trap records and the moody atmospherics of alternative bands like Radiohead, Coldplay, or My Bloody Valentine.

Nocturnal Womb features two new songs that a press release says were "too dark and visceral to fit the story of Blackbraid III," as well as an acoustic version of the Blackbraid II song "Barefoot Ghost Dance on Blood Soaked Soil."

The jais are taking our children away,

The Stasi, the secret police, were legendary for their data files. Their work was based on instilling fear, and they induced stunningly amazing numbers of East Germans into informing on their neighbors. Something along the lines of 1 in 6 East Germans were informants, whether out of fear or out of approval of what the East German government was doing.

Turns out every soul song with a lot of blank space in it just needs to be filled to the brim with Jersey club stomps and squeaks.

The Irish government will give 2,000 artists unrestricted weekly stipends in a program officials described as a "recognition, at government level, of the important role of the arts in Irish society." After a successful three-year pilot, the Irish government made its basic income program for artists permanent. Similar pilots have been launched here in the United States, but they're supported primarily by the nonprofit sector.

It's Sunday evening and dozens of people are ping-ponging around the room at Berkeley's Ashkenaz Music & Dance Community Center. It's the end of a three-day traveling music festival called " Dare to Be Square West," and folks are whirling, stomping and otherwise having a ball. A man who's perched like a shepherd eyeing his flock calls out instructions from the stage. "Take your partner and promenade!" he hollers, as people form lines, part and reintegrate.

Jeff Hanna, Nitty Gritty Dirt Band founder and de facto leader, is tucked into a nondescript booth at El Palenque, a 30-years-plus local restaurant in a Nashville strip mall, talking about "Nashville Skyline," a pensive track from their EP, "Night After Night." The family-owned Mexican restaurant is the kind of place he's gravitated toward since starting a jug band with friends in Long Beach before migrating to Los Angeles' folk/rock scene.

Originally from Illinois and now based in Maine, where he has lived for the past four years, Pokey LaFarge brings a lived-in perspective to American roots music. Drawing from early jazz, blues, swing and folk traditions, his songwriting balances warmth, rhythm and emotional clarity without slipping into nostalgia for its own sake. Over the years, LaFarge has grown into a confident bandleader, known for performances that feel loose but intentional, with space for both musicianship and connection.

I've just given a keynote presentation at Lines of Flight: Improvisation, Hope and Refuge, a conference hosted by the International Institute for Critical Studies in Improvisation. I'd been invited to talk about my performance research with D&aacutelava, a cross-genre project that is influenced by animist, Slavic cosmology and a land-based folk song tradition that has been in my family for generations.

Raised in Scotland's remote and sparsely populated Outer Hebrides, folk singer Jule Fowlis was immersed in Scottish Gaelic language and traditions.

He was playing a little piano, then trumpet, and even bongos. He even had a bongo solo!

In October, Oklahoma country music stadium draw Zach Bryan garnered attention at the highest levels of government when he posted a snippet of a track called "Bad News" in which he sings "ICE is gonna come bust down your door." By the end of the week, United States Secretary of Homeland Security Kristi Noem rebuked him on conservative personality Benny Johnson's The Benny Show: "I hope he understands how completely disrespectful that song is, not just to law enforcement but to this country."