"People live out here because you are pretty much on your own, and where we're going, you'll really know we're on our own," Higbee, the tour guide, noted, emphasizing the isolation of the region as part of its allure.
Hikmet Loe remarked on land art's roots in the 1960s, stating that it freed art from galleries into nature: "These artists viewed deserts as a vast nothingness, waiting to be made useful and important. This idea reflects remnants of Manifest Destiny."
Alicia Harris highlighted the evolving perspective on art within its context, saying, "discussions about art and its relationship to the land today must consider the dire historical implications of colonialism and identifying Indigenous voices."
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