Whispers, cries and accusing voices. Traumas passed down through the generations, self-harm and suicide - all part of Nan Goldin's installation Sisters, Saints, Sibyls, which delves into personal history and emotional depth.
Sisters, Saints, Sibyls transitions from the story of Saint Barbara to Goldin's sister, exploring a tragic journey from a bright childhood to a tragic end, reflecting Goldin's origin story and constant retelling.
Goldin initially felt ambivalent about Sisters, Saints, Sibyls, considering it self-indulgent, but later embraced and loved it. She aims to avoid self-pity in her work, emphasizing emotional honesty and storytelling.
The installation is autobiographical for Goldin, reflecting on her sister's tragic life and death, intertwined with personal trauma and generational narratives, creating a poignant exploration of emotional depth and impact.
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