The article explores the phenomenon of audience members fainting during performances of Shakespeare's "Titus Andronicus" at the Globe Theatre, most recently in 2014. Directed by Lucy Bailey, past performances saw fainting as a notable occurrence, with arrangements for paramedics and separate seating for those affected. Bailey remarks on how the emotional tension of the play led to perceptible fainting, even without overt visuals. This trend contrasts with contemporary shows like "The Years," where audiences seem less affected, suggesting changing dynamics in audience sensitivity to theatrical violence and emotional intensity.
"I used to be disappointed if I got three fainters," the production's director, Lucy Bailey, said, reflecting on how visually intense moments sparked sudden fainting.
The buildup of grief in the play is like listening to a tenor sing at a high pitch for an extended period of time, creating tension that leads to fainting.
Bailey noted, 'So it was blood that made you faint, but it was also the threat of activity through language,' explaining the psychological triggers for audiences.
Compared to earlier performances, London audiences now faint less often – suggesting a shift in sensitivity to onstage content, even in less graphic plays.
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