"Throughout her career, she has continued to describe, joyfully, the natural world, 'where all the discoveries, wondrous or desperate, come without names.'"
"The risks are innumerable: sentimentality, over-generalization, over-simplification, distortion, and preaching, to name a few,' she wrote in a 2005 essay on war poetry."
"Better for the echo of Brahms to fill Funkhouser’s hallway than for the hallway to remain silent, and better for her poem to take the place of an empty page."
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