'A book can be loved to death and not die. Look at how this one refuses to close. Place the weight of the world on it and it may stop demanding attention.' This statement highlights the enduring nature of a book that captivates us and stays relevant despite its condition, underscoring how obsession can be both an expression of love and a burden that demands recognition.
'It's known the caress of eyes and wants more. Suppose you, not knowing this, were to tape it back and suffocate the perceived disgrace?' This provokes thought about how we treat beloved books and the importance of allowing their age and wear to serve as testimony to the love and knowledge they hold.
'The first book I ever knew and kissed was a Quran. I peered at the words, but could not seize them, so I untied the embroidered cloth with my clean hands; the dizzying calligraphy lay under my eyes, bold, like the gates of Jannah.' This description communicates the deep reverence for a text that shapes one's understanding of spirituality and identity, revealing the sacred relationship between reader and text.
'ZR Ghani's pamphlet, In the Name of Red, is a collection of 19 poems that variously explore and riff on a colour whose symbolism is central to many cultures and religions.' This underlines the complexity of color symbolism in literature, connecting personal narratives to large cultural themes.
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