In a world where the limits of freedom of speech are ever-changing, what and who you depict to express the truth has to be equally fluid.
Ezer's twisted figures, being his own ever-evolving alter egos, morph and change roles and personalities from painting to painting.
Trained in the tradition of European art academies, Ezer eventually rebelled against photorealistic appearances and finish fetishes.
The drama of the repeated diagonals and the contorted bodies squished within the picture frame follows the cues of Caravaggio and other Baroque masters.
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