Four-Hundred-Plus Pages and a Day
Briefly

In "Sunday", Olivier Schrauwen captures the essence of an uneventful day, exploring the depth of boredom and personal thoughts through vibrant two-color illustrations.
Schrauwen relished the limitations of the risograph printing process, using vibrant colors strategically to differentiate between memories and hypothetical thoughts across the comic.
The graphic novel serves as a dreamlike meditation, with Thibault's seemingly mundane experiences reflecting profound insights on time, memory, and consciousness.
Through the meandering thoughts of Thibault, Schrauwen transforms ordinary ruminations into a magical and beautiful exploration of the human mind.
Read at The New Yorker
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