Alexander Wessely's latest project, Afterlife presents Anyma: The End of Genesys, showcases his evolution as an artist committed to multimedia expressions. Originally starting with photography, he transitioned to kinetic art forms, incorporating video, music, and performance installations. His collaborations have seen him work with high-profile artists and perform in renowned venues. Despite the technological advancements in live arts, Wessely's work remains tied to his humanistic roots, influenced by his early experiences in sculpture. His commitment to experimentation and boundary-pushing drives his unique perspectives on reality and identity in contemporary art.
Wessely's path has been fluid. After cutting his teeth in photography, he began to feel 'limited by the camera as a tool,' pushing him towards kinetic forms.
There remains a human touch to Wessely's work, which he carries into each project. This can be traced to his background in sculpture.
Wessely's work distorts time, identity, and the limits of perception, blending real and surreal, human and posthuman experiences through multimedia.
His experimental spirit is evident in all his projects, showcasing a curiosity based on pushing boundaries in various artistic channels.
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